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Cited by

• 2004Memento Morbi : Lam Qua's Paintings, Peter Parker's Patients24 cited
• 1998British and Indian Identities in a Picture by Benjamin West22 cited
• 2011‘humble but respectable’: Recovering the Neighbourhood Surrounding William and Catherine Blake's Last Residence, No. 3 Fountain Court, Strand, c. 1820–2718 cited
• 1977Richardson's Record at the Ecole des Beaux-Arts14 cited
• 2007Constructing Space for Science at the Royal Institution of Great Britain13 cited
• 2018Exceptional, but not Exceptions: Public Exhibitions and the Rise of the Woman Artist in London and Paris, 1760–18309 cited
• 1989Sir Francis Chantrey's Monument to George Washington: Sculpture and Patronage in Post-Revolutionary America8 cited
• 2013Nathaniel Hone's 1775 Exhibition: The First Single-Artist Retrospective7 cited
• 1984James Robertson of Constantinople5 cited
• 2013Britain in the classical world: Samuel Lysons and the art of Roman Britain 1780-18203 cited
• 1994The Motivation and Shared Experience of Mouth and Foot Painting Artists2 cited
• 2020Capability Brown, Royal Gardener: The Business of Place-Making in Northern Europe2 cited
• 2017Drawing after the Antique at the British Museum, 1809–1817: "Free" Art Education and the Advent of the Liberal State2 cited