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The jazz image: seeing music through Herman Leonard's photography
16 references·2 citing·36 second hop
The jazz image: seeing music through Herman Leonard's photography (2011)The jazz image: seeing music through Herm…The Cambridge Companion to American Modernism (2005)The Cambridge Companion to Am…Blows like a horn: beat writing, jazz, style, and markets in the transformation of U.S. culture (2005)Blows like a horn: beat writi…Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties (2003)Freedom Is, Freedom Ain't: Ja…The Rise of a Jazz Art World (2002)The Rise of a Jazz Art WorldJazz outside the Marketplace: Free Improvisation and Nonprofit Sponsorship of the Arts, 1965-1980 (2002)Jazz outside the Marketplace:…Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity (2000)Improvisation and the Creativ…Visual Culture: An Introduction (1997)Visual Culture: An Introducti…Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place (1997)Dangerous Crossroads: Popular…Bebop and nothingness: jazz and pop at the end of the century (1996)Bebop and nothingness: jazz a…Jazz Among the Discourses (1995)Jazz Among the DiscoursesFeminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…The Theory of Jazz Music "It Don't Mean a Thing..." (1991)The Theory of Jazz Music "It …Noise, the Political Economy of Music (1989)Noise, the Political Economy …As Serious As Your Life. The Story of the New Jazz (1982)As Serious As Your Life. The …The Jazz Scene (1975)The Jazz SceneLanguage, Truth, and Logic. (1938)Language, Truth, and Logic.Uneven and combined consecration: The mainstream, duplicate, and workaround institutions of jazz (2024)Uneven and combined consecrat…FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM (2014)FIRING THE CANON: MULTIPLE IN…Critical terms for literary study (1989)The Signifying Monkey: A Theory of Afro-American Literary Criticism (1989)Feminine Endings: Music, Gender, and Sexuality (1992)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)Sensemaking and sensegiving stories of jazz leadership (2012)Big Ears: Listening for Gender in Jazz Studies (2020)The culture of spontaneity: improvisation and the arts in postwar America (1998)Theatrical Improvisation: Lessons for Organizations (2004)Improvisation and Innovative Performance in Teams (2005)Redefining Creativity — Analyzing Definitions, Collocations, and Consequences (2010)Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)No Respect: Intellectuals and Popular Culture (1990)Creating Country Music (1997)Arts participation as cultural capital in the United States, 1982–2002: Signs of decline? (2004)In Search of Authenticity* (2005)Mapping Shared Understandings Using Relational Class Analysis: The Case of the Cultural Omnivore Reexamined (2011)Visual Culture Art Education: Why, What and How (2002)International Handbook of Information Technology in Primary and Secondary Education (2008)Where words fail, visuals ignite (2010)Falsification and the Methodology of Scientific Research Programmes (1976)A Tale of Two Cultures: Contrasting Quantitative and Qualitative Research (2006)Monism: The Priority of the Whole (2009)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification as Culture: Types and Trajectories of Music Genres (2008)Dynamic texts and tourist gaze (2000)Material Geographies and Postcolonialism (2003)Performing identity within a multicultural framework (2005)Handbook of Emotions (1993)Music in Everyday Life (2000)Localizing Late Modernism: Interwar Regionalism and the Genesis of the “Micro Novel” (2009)Regional Modernism: A Reintroduction (2009)The Disinterested and Fine: New Negro Renaissance Poetry and the Racial Formation of Modernist Studies (2013)The Cambridge History of American Music (1998)Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Review - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (2004)
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References

  • 1938Language, Truth, and Logic.2,113 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 2000Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity269 cited
  • 1997Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place209 cited
  • 2002The Rise of a Jazz Art World206 cited
  • 1982As Serious As Your Life. The Story of the New Jazz160 cited
  • 1997Visual Culture: An Introduction158 cited
  • 1995Jazz Among the Discourses155 cited
  • 2005The Cambridge Companion to American Modernism108 cited
  • 1991The Theory of Jazz Music "It Don't Mean a Thing..."72 cited
  • 2003Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties70 cited
  • 2005Blows like a horn: beat writing, jazz, style, and markets in the transformation of U.S. culture58 cited
  • 2002Jazz outside the Marketplace: Free Improvisation and Nonprofit Sponsorship of the Arts, 1965-198053 cited
  • 1996Bebop and nothingness: jazz and pop at the end of the century46 cited
  • 1975The Jazz Scene

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42 cited

Cited by

  • 2014FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM4 cited
  • 2024Uneven and combined consecration: The mainstream, duplicate, and workaround institutions of jazz2 cited