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Britten's Musical Language
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Cited by

  • 2006Edward Elgar, Modernist53 cited
  • 2013Music, Modernity, and God53 cited
  • 2019What is Musical Meaning? Theorizing Music as Performative Utterance44 cited
  • 2007The Music of Louis Andriessen37 cited
  • 2019Realism Redux: Staging ‘Billy Budd’ in the Age of Television36 cited
  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited
  • 2022‘In my end is my beginning’: Peter Grimes and Death in Venice11 cited
  • 2010Prolongation in the Choral Music of Benjamin Britten11 cited
  • 2010Bourgeois opera: Death in Venice and the aesthetics of sublimation6 cited
  • 2013Triadic Music in Twentieth-Century Russia6 cited
  • 2015Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun4 cited
  • 2013Opera Singing and Fictional Truth3 cited
  • 2005The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain3 cited
  • 2017Ritual and parable in Britten’s Curlew River2 cited

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