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French musical thought, 1600-1800
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  • 1994Of women, sex and folly: Opera under the Old Regime37 cited
  • 2015The Cambridge Companion to French Music33 cited
  • 1995"Like Beauty Spots on the Face of a Man": Gender in 18th-Century North-German Discourse on Genre27 cited
  • 1993Aux origines d’une discipline historique26 cited
  • 2015The Renaissance21 cited
  • 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
  • 2012‘The moral background of the work of art’: ‘character’ in German musical aesthetics, 1780–185015 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
  • 1994Rameau reading Lully: Meaning and system in Rameau's recitative tradition12 cited
  • 1998Plainchant and Its Use in French Grands Motets10 cited
  • 2016Dance and drama in French baroque opera a history4 cited
  • 2017RAMEAU'S CARTESIAN WONDER4 cited
  • 2005Music and the sciences4 cited
  • 2015Mersenne and the Art of Delivery3 cited

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  • 2012The Composer's Eye: Focalizing Judith in the Cantatas by Jacquet de La Guerre and Brossard2 cited