SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Beyond Structural Listening?Postmodern Modes of Hearing
0 references·16 citing·50 second hop
Beyond Structural Listening?Postmodern Modes of Hearing (2004)Beyond Structural Listening?Postmodern Mo…Popular music reaction videos: Reactivity, creator labor, and the performance of listening online (2020)Popular music reaction videos…Bossa Mundo (2019)Bossa MundoJust Vibrations (2016)Just VibrationsSound and Circulation: Immobility and Obduracy in South African Electronic Music (2015)Sound and Circulation: Immobi…Can Music “Mirror” God? A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel (2014)Can Music “Mirror” God? A The…The Viennese symphony 1750 to 1827 (2013)The Viennese symphony 1750 to…The Cambridge Companion to the Symphony (2013)The Cambridge Companion to th…“Do You Really Want to Hurt Me?” Music as Punishment in the United States Legal System (2011)“Do You Really Want to Hurt M…The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music (2010)The ”PoumTchak” Pattern: Corr…Audible Ecosystems and Emergent Sound Structures in Di Scipio’s Music: Music Philosophy Helps Musical Analysis (2010)Audible Ecosystems and Emerge…Mapping a beautiful voice: theoretical considerations (2009)Mapping a beautiful voice: th…The Sublime, the Ineffable, and Other Dangerous Aesthetics (2008)The Sublime, the Ineffable, a…Musicians on Television: Visible, Audible and Ignored (2006)Musicians on Television: Visi…Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Minimal Challenges: Process M…How to make a difference (2006)How to make a differenceAidaand Nine Readings of Empire (2006)Aidaand Nine Readings of Empi…Feminine Endings: Music, Gender, and Sexuality (1992)Theology, Music and Time (2000)Working toward third space in content area literacy: An examination of everyday funds of knowledge and Discourse (2004)Unified Consciousness and the Effect of Body Scan Meditation on Happiness: Alteration of Inner-Body Experience and Feeling of Harmony as Central Processes (2019)Creating Spiritual Spaces Through the Music of Arvo Pärt and Ljubica Marić (2022)Powers of Horror: An Essay on Abjection (1984)Women, Fire, and Dangerous Things (1987)Postmodernism, or, The cultural logic of late capitalism (1991)(Re)Considering the Priestess: Clara Schumann, Historiography, and the Visual (2017)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)The Ineffable (and Beyond) (2020)Cognitive constraints on compositional systems (1992)How We Got Out of Analysis, and How to Get Back In Again (2004)Music—Drastic or Gnostic? (2004)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)Extraordinary Measures (2011)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)Friction: An Ethnography of Global Connection (2004)THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE (2005)Exchange, materiality and aesthetics in Colombianchampeta (2018)Amiguismo: capitalism, sociality, and the sustainability of indie music in Santiago, Chile (2019)Afro-Sweden (2022)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Representation: Cultural representations and signifying practices. (1997)The Audible Past (2003)Look! It's Rock'n'roll! : How television participated in shaping the visual genre conventions of popular music (2007)'Parisomania'? Jack Hylton and the French Connection (2008)Mediating and Disrupting the Flow (2020)The Anxiety of Influence: A Theory of Poetry (1974)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The New Grove dictionary of music and musicians (2001)The Cambridge Companion to the Eroica Symphony (2020)Phenomenology of Perception (1982)Metaphors We Live By (2003)THE MIRROR-NEURON SYSTEM (2004)Groove Aesthetics in Afro-Cuban Jazz: Towards an Empirical Aesthetic Theory (2013)Black looks: race and representation (1992)Changing Highbrow Taste: From Snob to Omnivore (1996)Algorithms of Oppression (2018)What to watch: Practical considerations and strategies for using YouTube for research (2022)Remixing war: An analysis of the reimagination of the Russian–Ukraine war on TikTok (2023)#Runningupthathill, revival and popular music fandom on TikTok (2025)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Location of Culture (2012)Performing Analysis, Performing Metal (2021)Characterizing musical vulnerability: Toward a typology of receptivity and susceptibility in the secondary music classroom (2023)Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim (2023)Music and the Agents of Obsession (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016Just Vibrations103 cited
  • 2015Sound and Circulation: Immobility and Obduracy in South African Electronic Music47 cited
  • 2006Minimal Challenges: Process Music and the Uses of Formalist Analysis44 cited
  • 2020Popular music reaction videos: Reactivity, creator labor, and the performance of listening online44 cited
  • 2008The Sublime, the Ineffable, and Other Dangerous Aesthetics40 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 2006Musicians on Television: Visible, Audible and Ignored26 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 2010The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music16 cited
  • 2014Can Music “Mirror” God? A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel11 cited
  • 2010Audible Ecosystems and Emergent Sound Structures in Di Scipio’s Music: Music Philosophy Helps Musical Analysis9 cited
  • 2011“Do You Really Want to Hurt Me?” Music as Punishment in the United States Legal System9 cited
  • 2009Mapping a beautiful voice: theoretical considerations8 cited
  • 2006How to make a difference7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2006Aidaand Nine Readings of Empire7 cited
  • 2019Bossa Mundo7 cited