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The Emperor Jones · Study

BookThe Emperor Jones

Eugene O’Neill1920

Book1920

The Emperor Jones

Eugene O’Neill

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Theater, Performance, and Music History Theatre and Performance Studies Literature: history, themes, analysis

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2000Melancholy Bodies: Racial Subjectivity and Whiteness in O'Neill's The Emperor Jones 1999Vodou Imagery, African American Tradition and Cultural Transformation in Zora Neale Hurston's Their Eyes Were Watching God 2002Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance 2003Preserving African-American Cinema: The Case of The Emperor Jones (1933)2005“Genuine Negroes and Real Bloodhounds”: Cross-Dressing, Eugene O’Neill, the Wooster Group, and The Emperor Jones 2008Roll yo' hips—don't roll yo' eyes : Angularity and Embodied Spectatorship in Zora Neale Hurston's Play, Cold Keener 1995‘A wall of darkness dividing the world’: Blackness and whiteness in Louis Gruenberg's The Emperor Jones 2012Early black Americans on Broadway

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Year1920

Typebook

Published1920-01-01

Languageen

Citations31

Files0 public / 0

ShelfTheater, Performance, and Music History

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openalex_workW590836078

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