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The Emperor Jones
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The Emperor Jones (1920)The Emperor JonesEarly black Americans on Broadway (2012)Early black Americans on Broa…Roll yo' hips—don't roll yo' eyes : Angularity and Embodied Spectatorship in Zora Neale Hurston's Play, Cold Keener (2008)Roll yo' hips—don't roll yo' …“Genuine Negroes and Real Bloodhounds”: Cross-Dressing, Eugene O’Neill, the Wooster Group, and The Emperor Jones (2005)“Genuine Negroes and Real Blo…Preserving African-American Cinema: The Case of The Emperor Jones (1933) (2003)Preserving African-American C…Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance (2002)Whose Role Is It, Anyway?: Ch…Melancholy Bodies: Racial Subjectivity and Whiteness in O'Neill's The Emperor Jones (2000)Melancholy Bodies: Racial Sub…Vodou Imagery, African American Tradition and Cultural Transformation in Zora Neale Hurston's Their Eyes Were Watching God (1999)Vodou Imagery, African Americ…‘A wall of darkness dividing the world’: Blackness and whiteness in Louis Gruenberg's The Emperor Jones (1995)‘A wall of darkness dividing …How To Do Things With Words (1975)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Norton anthology of African American literature (1997)Gender Trouble: Feminism and the Subversion of Identity (1991)The Psychic Life of Power: Theories in Subjection (1997)Expressionism and Modernism in the American Theatre : Bodies, Voices, Words (2005)Expressionism and Modernism in the American Theatre (2005)The African American Theatrical Body: Reception, Performance, and the Stage (2011)The Location of Culture (2012)Bodies That Matter (2011)The Wages of Whiteness (2017)Slow Fade to Black: The Negro in American Film, 1900-1942 (1977)Danse Macabre (1981)Heavenly Bodies: Film Stars and Society (1987)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)The Unbearable Weight of Authenticity: Zora Neale Hurston's Their Eyes Were Watching God and a Theory of "Touristic Reading" (2004)Anthropology with an agenda: four forgotten dance anthropologists (2010)Practices of Enchantment: The Theatre of Zora Neale Hurston (2015)Three Essays on the Theory of Sexuality (1905)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)" Race," Writing, and Difference (1986)Modernism and the Harlem Renaissance (1987)The Harlem renaissance in black and white (1996)Black on White: Black Writers on What It Means to Be White (1998)Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (1978)Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (1978)Unspeakable Things Unspoken: The Afro-American Presence in American Literature (2020)
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Cited by

  • 2000Melancholy Bodies: Racial Subjectivity and Whiteness in O'Neill's The Emperor Jones28 cited
  • 1999Vodou Imagery, African American Tradition and Cultural Transformation in Zora Neale Hurston's Their Eyes Were Watching God17 cited
  • 2002Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance7 cited
  • 2005“Genuine Negroes and Real Bloodhounds”: Cross-Dressing, Eugene O’Neill, the Wooster Group, and The Emperor Jones6 cited
  • 2003Preserving African-American Cinema: The Case of The Emperor Jones (1933)6 cited
  • 2008Roll yo' hips—don't roll yo' eyes : Angularity and Embodied Spectatorship in Zora Neale Hurston's Play, Cold Keener4 cited
  • 1995‘A wall of darkness dividing the world’: Blackness and whiteness in Louis Gruenberg's The Emperor Jones2 cited
  • 2012Early black Americans on Broadway2 cited

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