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Nothing Happens: Chantal Akerman's Hyperrealist Everyday
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Nothing Happens: Chantal Akerman's Hyperrealist Everyday (1996)Nothing Happens: Chantal Akerman's Hyperr…Between home and flight: interior space, time and desire in the films of Chantal Akerman (2021)Between home and flight: inte…Art Cinema’s Immaterial Labors (2018)Art Cinema’s Immaterial LaborsIntroduction 2: The Long Take—Concepts, Practices, Technologies, and Histories (2017)Introduction 2: The Long Take…El cine más allá de la narración de Lisandro Alonso (2017)El cine más allá de la narrac…Willful voices: a/synchronic sound in Chantal Akerman’s self-portrait films (2016)Willful voices: a/synchronic …Soul of the Documentary: Framing, Expression, Ethics (2015)Soul of the Documentary: Fram…Biopolitical screens: image, power, and the neoliberal brain (2015)Biopolitical screens: image, …Sniffing the city: issues of sousveillance in inner city London (2014)Sniffing the city: issues of …Import/Export: Housework in an International Frame (2012)Import/Export: Housework in a…A short history of film (2008)A short history of filmShe's Come Undone:Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and Countercinema (2007)She's Come Undone:Chantal Ake…Daughter's Tongue (2007)Daughter's TongueVisual and Other Pleasures (1989)The Celluloid Closet : Homosexuality in the Movies (1991)Looking for the Other: Feminism, Film and the Imperial Gaze (1997)The Magical Neoliberalism of Network Films (2014)Dis-agreement : politics and philosophy (1998)Rhythmanalysis : Space, Time and Everyday Life (2004)Dissensus: On Politics and Aesthetics (2010)Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture (2019)Anecdotal Evidence (2020)Memories lost: A history of accounting records as forms of projection (2023)5. The Practice of Everyday Life (2000)Gentrification and Social Mixing: Towards an Inclusive Urban Renaissance? (2008)Big Data is a big lie without little data: Humanistic intelligence as a human right (2017)Communicating the City (2017)Gentrification in the mesh? (2017)The Practice in Everyday Life (2020)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)Nothing Happens (1996)Girlhood, postfeminism and contemporary female art-house authorship (2015)Documenting the Domestic: Chantal Akerman's Experimental Autobiography as Archive (2017)Multitude: war and democracy in the age of empire (2005)The Managed Heart (2012)Civilization and Its Discontents (2018)The Presentation of Self in Everyday Life. (1956)Bodies That Matter (2011)Framing, Following, Middling: Towards Methodologies of Relational Materialities (2015)Pysähdyttävät paikat (2018)The Interpersonal World of the Infant (2018)The Cultural Practice of Immigrant Filmmaking (2019)Film sound: Theory and practice (1985)Invisible storytellers: voice-over narration in American fiction film (1989)Willful Subjects (2014)The genius of the system: Hollywood filmmaking in the studio era (1989)Film History: An Introduction (1994)The way Hollywood tells it: story and style in modern movies (2006)Fluid audio-spatial aesthetics and the communalization of popular music in the multi-clip movie Balaton method (2019)Nothing happens: Chantal Akerman's hyperrealist everyday (1996)Sobre los espacios pintar, escribir, pensar (2014)El espectador emancipado (2015)Visual Pleasure and Narrative Cinema (1975)Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (2012)
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Cited by

  • 2015Soul of the Documentary: Framing, Expression, Ethics32 cited
  • 2015Biopolitical screens: image, power, and the neoliberal brain22 cited
  • 2008A short history of film15 cited
  • 2012Import/Export: Housework in an International Frame14 cited
  • 2014Sniffing the city: issues of sousveillance in inner city London12 cited
  • 2007She's Come Undone:Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and Countercinema10 cited
  • 2017El cine más allá de la narración de Lisandro Alonso6 cited
  • 2016Willful voices: a/synchronic sound in Chantal Akerman’s self-portrait films6 cited
  • 2018Art Cinema’s Immaterial Labors5 cited
  • 2017Introduction 2: The Long Take—Concepts, Practices, Technologies, and Histories5 cited
  • 2007Daughter's Tongue4 cited
  • 2021Between home and flight: interior space, time and desire in the films of Chantal Akerman4 cited

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