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  • 1968Francesco Galeazzi's Description (1796) of Sonata Form75 cited
  • 1991Paris: Conflicting Notions of Progress69 cited
  • 2017Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style56 cited
  • 1974Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form43 cited
  • 2013Sonata Form and the Problem of Second‐Theme Beginnings38 cited
  • 1988Sources of the Three-Key Exposition36 cited
  • 1994Themes and Double Themes: The Problem of the Symphonic in Brahms30 cited
  • 2008Interpreting the Musical Past29 cited
  • 2004‘When a woman speaks the truth about her body’: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography22 cited
  • 2002Musica practica: music theory as pedagogy21 cited
  • 2020The Beethoven Syndrome16 cited
  • 2006Vincent D’Indy and the Development of the French Symphony11 cited
  • 2005Musical Syntax in the Sonatas of Debussy: Phrase Structure and Formal Function11 cited
  • 2006L'ethnologie musicale selon André Schaeffner, entre musée et performance10 cited
  • 1998

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The Elusive Fantasy: Genre, Form, and Program in Tchaikovsky's "Francesca da Rimini"
5 cited
  • 1997Ariane et Barbe-Bleue: Dukas, the light and the well5 cited