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Contents: Introduction, Derek B. Scott Part 1 Film, Video and Multimedia: Trevor Jones's score for In the Name of the Father, David Cooper Music, sound and the moving image: the present and a future?, Anahid Kassabian Reinventing Question Time, Miguel Mera Televised live performance, looping technology and the 'nu folk': KT Tunstall on Latera |with Jools Holland, John Richardson. Part 2 Technology and Studio Production: Learning to listen to perfect sound: hi-fi culture and changes in modes of listening, 1950a 80, Alf BjA rnberg Approaches to analysing recordings of popular music, Timothy Warner The art of phonography: sound, technology and music, Peter Wicke. Part 3 Gender and Sexuality: Genre, subjectivity and backup singing in rock music, Susan Fast Notes on musical camp, Freya Jarman-Ivens Who are you? Research strategies of the unruly feminine, Sheila Whiteley 'I'm a man': masculinities in popular music, Jason Lee Oakes. Part 4 Identity and Ethnicity: The woven world: unravelling the mainstream and the alternative in Greek popular music, Kevin Dawe Dayton street funk: the layering of multiple identities, Portia K. Maultsby Black, white and brown on the dance floor: the new meanings of panjabiyat in the 21st century, Anjali Gera Roy. Part 5 Performance and Gesture: Musical persona: the physical performance of popular music, Philip Auslander Vocal performance and the projection of emotional authenticity, Nicola Dibben 'Chelsea Rodgers' was a model a vocality in Prince of the 21st century, Stan Hawkins Singing style and white masculinity, Jacqueline Warwick Talking music, making music: a comparison between Rap and Techno, Antoine Hennion. Part 6 Reception and Scenes: Absolute beginners: the evolution of a British popular music scene, Ian Inglis Studying reception and scenes, Adam Krims Interpretation: so what?, Allan F. Moore Beyond the master narrative of youth: researching ageing popular music scenes, Nicola Smith. Part 7 The Music Industry and Globalization: Music and the creative knowledge economy, Geraldine Bloustien The transnational music industry, Andreas Gebesmair Pop idol: global economy a local meanings, Tarja Rautiainen- Keskustalo Bibliography Index.
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