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The Ashgate Research Companion to Popular Musicology
0 references·14 citing·35 second hop
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Cited by

  • 2011Authorship and the Popular Song38 cited
  • 2020Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era”18 cited
  • 2020Music Technology in Education – Channeling and Challenging Perspectives16 cited
  • 2013Claiming Queer Territory in the Study of Subcultures and Popular Music15 cited
  • 2013Groove Theory: A Vamp on the Epistemology of Funk14 cited
  • 2025The influence of virtual reality on improving emotional expressiveness in vocal performance12 cited
  • 2018Film music in advertising: An intertextual approach11 cited
  • 2020Music Technology in Education5 cited
  • 2020Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education5 cited
  • 2022History of popular music research in the Czech lands and Hungary5 cited
  • 2021Immersed in Pop5 cited
  • 2016Who is Beck? Sonic markers as a compositional tool in pop production4 cited
  • 2019Carpenter Brut and the Instrumental Synthwave Persona3 cited
  • 2022Präexistente Musik im Film3 cited

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