Dziga Vertov: defining documentary film

Unknown author

64 citations0/0 files storedChoice Reviews Online

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

Preface Acknowledgements List of Illustrations Introduction: Dziga Vertov- Defining Documentary Film 1. The Birth of Documentary from the Spirit of Journalism. Cine-Pravda. Cine-Eye 2. Vertov and Documentary Theory: 'The Goal Was Truth, the Means Cine-Eye.' 3. 'A Card Catalogue in the Gutter.' Stride, Soviet! A Sixth Part of the World Contents 4. New Paths: The Eleventh Year. Man with a Movie Camera 5. Sound and the Defence of Documentary: Enthusiasm 6. Documentary or Hagiography? Three Songs of Lenin 7. Years of Sound and Silence: Lullaby 8. Forward Dziga! Foreign and Posthumous Reception Bibliography Filmography Index

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 64 citations exist upstream.

Cited by

2008Dziga Vertov's Soviet Toys : Commerce, Commercialization and Cartoons 2017Early Film Culture in Hong Kong, Taiwan, and Republican China 2014Post-revolution nonfiction film: building the Soviet and Cuban nations 2021The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation 2013The delirious vision: the vogue for the hand-held camera in Soviet cinema of the 1920s

Imported from OpenAlex (CC0) — nothing here is generated.