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This is all I choose to tell: history and hybridity in Vietnamese American literature
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Cited by

  • 2015The Cambridge History of Asian American Literature67 cited
  • 2012War, Genocide, and Justice: Cambodian American Memory Work44 cited
  • 2016The Refugee Repertoire: Performing and Staging the Postmemories of Violence18 cited
  • 2015“More Than You Ever Knew You Knew”: The Rising Prestige of Fiction17 cited
  • 2019Precarious Memories and Affective Relationships in Thi Bui’s The Best We Could Do10 cited
  • 2019Creating sound in silences: theSecond Wavepodcast and pluralizing Vietnamese diasporic histories10 cited
  • 2014‘Like a foreigner in my own homeland’: writing the dilemmas of return in the Vietnamese American diaspora10 cited
  • 2012Vietnamese American Art and Community Politics: An Engaged Feminist Perspective8 cited
  • 2018Narrating the Transnational: Refugee Routes, Communities of Shared Fate, and Transnarrative Form7 cited
  • 2013Embodied Knowledges: Synesthesia and the Archive in Monique Truong's Bitter in the Mouth6 cited
  • 2015Thick Time and Space: Karen Tei Yamashita’s Aesthetics4 cited
  • 2015Inventing Identity: The Manifestos of Pioneering Asian American Literature Anthologies4 cited
  • 2016Re-placing the Accent: From the Exile to Refugee Position4 cited
  • 2015Theresa Hak Kyung Cha and the Impact of Theory

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4 cited
  • 2017Between Refugee and ‘Normalized’ Citizen: National Narratives of Exclusion in the Novels of Bich Minh Nguyen4 cited
  • 2016The Vietnamese American “Model Orphan” in Aimee Phan’s We Should Never Meet4 cited