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Manning the Nation: Father Figures in Zimbabwean Literature and Society
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Manning the Nation: Father Figures in Zimbabwean Literature and Society (2007)Manning the Nation: Father Figures in Zim…The deployment of a 'sacred song' in violence in Zimbabwe: The case of the song 'Zimbabwe Ndeye Ropa Ramadzibaba' (Zimbabwe was/is Born of the Blood of the Fathers/Ancestors) in Zimbabwean Politics (2017)The deployment of a 'sacred s…Militarized masculinities, heroes and gender inequality during and after the nationalist struggle in Zimbabwe (2015)Militarized masculinities, he…Women Writing Nationhood Differently: Affiliative Critique in Novels by Forna, Atta, and Farah (2013)Women Writing Nationhood Diff…RethinkingChimurengaandGukurahundiin Zimbabwe: A Critique of Partisan National History (2012)RethinkingChimurengaandGukura…“Tozeza Baba”: gender-based Violence in Oliver Mtukudzi's music (2012)“Tozeza Baba”: gender-based V…‘Trophy-hunting scripts’ among male university students in Zimbabwe (2012)‘Trophy-hunting scripts’ amon…The tourist viewer, the Bushmen and the Zulu : imaging and (re)invention of identities through contemporary visual cultural productions. (2008)The tourist viewer, the Bushm…Songs of pain and hope: HIV and AIDS in Zimbabwean Music (2008)Songs of pain and hope: HIV a…The Presentation of Self in Everyday Life. (1956)Hegemonic Masculinity (2005)The Presentation of Self in Everyday Life (2023)The Birth of the Museum: History, Theory, Politics (1995)The Birth of the Museum: History, Theory, Politics (1996)Memorialising minority groups in post-independence Zimbabwe and South Africa : a critical analysis of oral history programmes (2019)The Society of the Spectacle (2020)The Sources of Social Power (1986)The Invention of Women: Making an African Sense of Western Gender Discourses (1997)The Journal of Pan African Studies (2014)Oliver Mtukudzi: Singing for Harmony to Reconstruct and Heal Our Land (2022)African Religion: The Moral Traditions of Abundant Life (1997)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, cosmopolitans, and popular music in Zimbabwe (2001)Notes of despair and consciousness: performativity and visibility of albinism in musical practices (2019)Sounding Identity: A Technical Analysis of Singing Styles in the Traditional Music of Sub-Saharan Africa (2025)The World, the Text, and the Critic (1986)Woman, Native, Other: Writing Postcoloniality and Feminism (1990)The Wretched of the Earth (2000)The Cultural Politics of Emotion (2013)The Cultural Politics of Emotion (2014)Women in Zimbabwean Politics Post-November 2017 (2021)Discipline and Punish: The Birth of the Prison. (1978)The Human Condition (1998)A performative encounter with artist Silikat van Wyk in the Kalahari (2012)The Sacred Canopy: Elements of a Sociological Theory of Religion (1968)African Religions and Philosophy (1970)Frames of war: when is life grievable? (2010)Back to Africa: (Re)appropriating the “Back-to-Sender” Concept in the Zimbabwe Catholic Charismatic Renewal (2021)The Interaction of Language and Politics: Polysemanticism in the Aphorism ‘We Died for This Country, so We Will Rule Zimbabwe Forever’ (2023)
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Cited by

  • 2012RethinkingChimurengaandGukurahundiin Zimbabwe: A Critique of Partisan National History111 cited
  • 2017The deployment of a 'sacred song' in violence in Zimbabwe: The case of the song 'Zimbabwe Ndeye Ropa Ramadzibaba' (Zimbabwe was/is Born of the Blood of the Fathers/Ancestors) in Zimbabwean Politics36 cited
  • 2015Militarized masculinities, heroes and gender inequality during and after the nationalist struggle in Zimbabwe27 cited
  • 2008The tourist viewer, the Bushmen and the Zulu : imaging and (re)invention of identities through contemporary visual cultural productions.22 cited
  • 2013Women Writing Nationhood Differently: Affiliative Critique in Novels by Forna, Atta, and Farah17 cited
  • 2008Songs of pain and hope: HIV and AIDS in Zimbabwean Music14 cited
  • 2012‘Trophy-hunting scripts’ among male university students in Zimbabwe12 cited
  • 2012“Tozeza Baba”: gender-based Violence in Oliver Mtukudzi's music11 cited

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