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Cited by

• 1999Some Fifth-Century Masking Conventions117 cited
• 2012Jokes in popular culture: the characterisation of the accountant68 cited
• 2013Trusted puppets, tarnished politicians: Humor and cynicism in Berlusconi's Italy60 cited
• 1999Quis Hic Loquitur? : Plautine Delivery and the “Double Aside”32 cited
• 2002The Face of Tragedy: From Theatrical Mask to Cinematic Close-up22 cited
• 1999Puppets, Masks, and Performing Objects at the End of the Century17 cited
• 2012Music and the Dignity of Difference15 cited
• 1998Was Commedia dell’arte Performed by Mountebanks? Album amicorum Illustrations and Thomas Platter’s Description of 15989 cited
• 2004Commedia dell'Arte: characters, scenarios, and rhetoric8 cited
• 1998The Charlatans of the Pont-Neuf7 cited
• 2015Practicing Human Dignity: Ethical Lessons from Commedia dell’Arte and Theater7 cited
• 2012Created by the Ensemble: Generative Creativity and Collective Creation at the Dell’Arte International School of Physical Theatre6 cited
• 1996Character in Dramatherapy2 cited
• 2011“Give a man a mask and he’ll tell the truth”: Arnold Schoenberg, David Bowie, and the Mask of Pierrot2 cited