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Webster and Ford
2 references·2 citing·10 second hop
Webster and Ford (1995)Webster and FordJacobean Private Theatre (2017)Jacobean Private TheatreStage Images and Traditions: Shakespeare to Ford (1989)Stage Images and Traditions: …John Ford's Substantive Accidentals in Perkin Warbeck (2015)John Ford's Substantive Accid…"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory (2012)"Killing, Hewing, Stabbing, D…Bodies and selves in early modern England: physiology and inwardness in Spenser, Shakespeare, Herbert, and Milton (2000)Performativity and Performance (2013)The Body Emblazoned (2013)English drama : forms and development : essays in honour of Muriel Clara Bradbrook (1977)John Ford's political theatre (1995)Drama and the Succession to the Crown, 1561-1633 (2016)The Adaptation of a Shakespearean Genre: Othello and Ford's 'Tis Pity She's a Whore (1995)Making and Buying: Ben Jonson and the Commercial Theatre Audience (1998)John Webster, Tussaud Laureate: The Waxworks in The Duchess of Malfi (2012)Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage (2013)
this work references cited by second hop

References

  • 2017Jacobean Private Theatre70 cited
  • 1989Stage Images and Traditions: Shakespeare to Ford11 cited

Cited by

  • 2012"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory5 cited
  • 2015John Ford's Substantive Accidentals in Perkin Warbeck2 cited

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