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The Paradox Of Acting
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  • 2011Intimate strangers: friendship, exchange and Pacific encounters70 cited
  • 2010Hero takes a fall: A lesson from theatre for leadership55 cited
  • 2015Shakespeare and the Visual Imagination40 cited
  • 1985The Dancer and the Danced: Trance Dance and Theatrical Performance in West Java39 cited
  • 2006Artistic Performance: Acting, Ballet, and Contemporary Dance30 cited
  • 2004Embodied Perceptual Practices: Towards an Embrained and Embodied Model of Mind for Use in Actor Training and Rehearsal26 cited
  • 2011For Hecuba or for Hamlet: Rethinking Emotion and Empathy in the Theatre23 cited
  • 2017Shakespeare for freedom why the plays matter23 cited
  • 2012The Felt Truth of Mimetic Experience: Motions of the Soul and the Kinetics of Passion in the Eighteenth-Century Theatre20 cited
  • 2010Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile11 cited
  • 1991The assessment of involvement in role playing9 cited
  • 2016Actor training and emotions: Finding a balance8 cited
  • 2008Alba Emoting: A Safe, Effective, and Versatile Technique for Generating Emotions in Acting Performance7 cited
  • 2002The sound of meaning: theories of voice in twentieth-century thought and performance

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7 cited
  • 2015Theater and ALife Art: Modeling Open and Closed Systems6 cited
  • 2009Trained Performances of Love and Cruelty Between Species3 cited