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Cited by

• 2020Organizing music, organizing gender: algorithmic culture and Spotify recommendations78 cited
• 2005Teaching with the Flow: Fixity and fluidity in education69 cited
• 20135 Unremarkable Hybridities and Metrolingual Practices33 cited
• 2014Diana and Beyond: White Femininity, National Identity, and Contemporary Media Culture25 cited
• 2013The Extended Self Strikes Back: Morrissey Fans' Reaction to Public Rejection by Their Idol14 cited
• 2003Editorial: Whose Diaspora is this anyway? Continental Africans trying on and troubling diasporic identity13 cited
• 2012A push and a shove and the land is ours: Morrissey's counter-hegemonic stance(s) on social class11 cited
• 2004Beefeaters, bobbies, and a new Varangian Guard? Negotiating forms of “Britishness” in suburban Australia11 cited
• 2011Language and Identity Representation in Popular Music8 cited
• 2011The Teenage Dad' and 'Slum Mums' are 'Just Certain People I know': Counter hegemonic representations of the working / under class in the works of Morrissey7 cited
• 2008‘Amerrrika ist wunderrrbarrr’: promotion of Germany through Radio Goethe’s cultural export of German popular music to North America6 cited
• 2015“I sing out to the youth of the slums”: Morrissey and Class Disgust3 cited