The Intercultural performance reader

Abstract

1 Historical Contexts 1.1 Interculturalism in Contemporary Erika Fischer-Lichte 1.2 Interculturalism and the Culture of Choice Richard Schechner 1.3 There are at least three Americas Josette Feral 2. Interculture practice from the western point of view 2.1 The Culture of links Peter Brook 2.2 'Remembering the Others that are Us': Transculturalism and myth in the theatre of Peter Brook David Williams 2.3 Passages to India Marvin Carlson 2.4 Theatre is oriental Ariane Mnouchkine 2.5 Hear, See, Act Robert Wilson 2.6 Japanese Traces in the Productions of Robert Wilson Christel Weiler 2.7 Dario Fo from one language to the other Valeria Tasca 2.8 The Duty to Translate Antoine Vitez 2.9 Antoine Vitez: towards an Intercultural Discourse Anne Neuschafer 2.10 of Gesture and Image Jacques Lecoq 3. Interculture practice from another point of view 3.1 The Reinvention of theatrical tradition: critical discourses interculturalism in the African Biodun Jeyifo 3.2 Languages of African Theatre: A Nigerian Casebook Martin Banham 3.3 It is political if it can be passed on Roma Potiki 3.4 Between Separation and Integration: Intercultural Strategies in Contemporary Maori Chris Balme 3.5 China Dream. A Theatrical Dialogue between East and West William Sun and Faye Fei 3.6 The Request Concert Project Rustom Bharucha 4 Interculturalism all the same... 4.1 Eurasian Eugenio Barba 4.2 Barba's Anthropology: an Intercultural Methodology Ian Watson 4.3 Around Theatre: The Orient - The Occident Jerzy Grotowski 4.4 Grotowski: The absent Presence George Banu 4.5 The possibilities and politics of inter-cultural Penetration and Exchange Clive Barker

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