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Cited by

• 2002Toward a Topography of Cross-Cultural Theatre Praxis163 cited
• 2002The Cambridge Companion to Shakespeare on Stage60 cited
• 2007Intercultural Expectations: I La Galigo in Singapore42 cited
• 1999States of Play: Locating Quebec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil37 cited
• 2006Exhibition, Difference, and the Logic of Culture36 cited
• 2012A survey of the ‘new’ discipline of adaptation studies: between translation and interculturalism33 cited
• 2012Dance Returns to American Cultural Diplomacy: The U.S. State Department's 2003 Dance Residency Program and Its After Effects29 cited
• 2004Theatre, Society and the Nation: Staging American Identities27 cited
• 2008Dance education in the Occupied Palestinian Territories: hegemony, counter‐hegemony and anti‐hegemony27 cited
• 2013Waiting for Godot in New Orleans : Modernist Autonomy and Transnational Performance in Paul Chan’s Beckett23 cited
• 2006Justifying the Arts: Drama and Intercultural Education21 cited
• 2021Love Dances19 cited
• 2005The Pendulum of Intercultural Performance: Kathakali King Lear at Shakespeare's Globe19 cited
• 2004Ong Keng Sen's Desdemona, Ugliness, and the Intercultural Performative