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Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey
15 references·4 citing·46 second hop
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References

  • 2007Dub: soundscapes and shattered songs in Jamaican reggae195 cited
  • 1979From Craft to Art190 cited
  • 2005Wired for sound: engineering and technologies in sonic cultures166 cited
  • 2004Speaking of Sound152 cited
  • 1995Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925133 cited
  • 1983The production of success: an anti-musicology of the pop song120 cited
  • 2004Engineering the Performance85 cited
  • 2002Music Mediated as Live in Austin: sound, technology, and recording practice74 cited
  • 1997Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction72 cited
  • 1976Folk Musical Instruments of Turkey47 cited
  • 1996Knowing music, making music: Javanese gamelan and the theory of musical competence and interaction37 cited
  • 2004Clusters and Competitive Advantage: The Turkish Experience29 cited
  • 1982Conventions and the Production of the Popular Music Aesthetic29 cited
  • 1978Folk Musical Instruments of Turkey27 cited
  • 1993Folklore and nationalism in Turkey11 cited

Cited by

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2013
Musicians and the politics of dignity in South India
14 cited
  • 2013Popular Music Studies and the Problems of Sound, Society and Method12 cited
  • 2012Theory and Method in Popular Music Analysis: Text and Meaning8 cited
  • 2011When the Tribe Goes Triple Platinum: A Case Study Toward an Ethnomusicology of Mainstream Popular Music in the U.S.7 cited