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Giving Voice to LoveSong and Self-Expression from the Troubadours to Guillaume de Machaut
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Giving Voice to LoveSong and Self-Expression from the Troubadours to Guillaume de Machaut (2011)Giving Voice to LoveSong and Self-Express…Do Trouvère Melodies Mean Anything? (2019)Do Trouvère Melodies Mean Any…Polyphony in Medieval Paris (2018)Polyphony in Medieval ParisMetapoesis in Trecento Song: ‘Divisio’ at the Intersection of Love, Poetic Form, and Music (2018)Metapoesis in Trecento Song: …Unwriting Medieval Song (2015)Unwriting Medieval SongThe Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)The Monstrous New Art: Divide…Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries (2015)Recent Trends in the Study of…The Interpretation of Music (1955)The modern invention of medieval music: scholarship, ideology, performance (2003)Medieval Music and the Art of Memory (2005)Of Two Arias and Nine Ragas: Analysing Monteverdi through a Karnatik Lens (2022)The Audible Past (2003)The Oxford Handbook of Sound Studies (2011)The Sound Studies Reader (2012)Discovering Medieval Song: Latin Poetry and Music in the Conductus (2018)Linguistics and Poetics (1981)Metapoetry in Euripides (2013)Pause and Effect (2016)Structural Hearing; Tonal Coherence in Music (1953)Pause and effect. An introduction to the history of punctuation in the West (1994)Elements of Sonata Theory (2006)Toward an Aesthetic of Reception. (1982)Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women (1989)The New Grove dictionary of music and musicians (2001)W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250 (2020)The Fourteenth-Century Italian Motet (2023)The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)The Book of Memory: A Study of Memory in Medieval Culture (1991)HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET (2017)Fauvel and Marigny: Which Came First? (2023)
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Cited by

  • 2018Polyphony in Medieval Paris81 cited
  • 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet58 cited
  • 2015Unwriting Medieval Song40 cited
  • 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries7 cited
  • 2018Metapoesis in Trecento Song: ‘Divisio’ at the Intersection of Love, Poetic Form, and Music3 cited
  • 2019Do Trouvère Melodies Mean Anything?2 cited

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