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Cited by

• 2010Analytical Raman spectroscopic discrimination between yellow pigments of the Renaissance53 cited
• 2015Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique50 cited
• 2007Toward designing new sensoaesthetic materials40 cited
• 2007Synthetic organic dyes, 1856–1901: an introductory literature review of their use and related issues in textile conservation33 cited
• 2008A Raman spectroscopic and combined analytical approach to the restoration of severely damaged frescoes: the Palomino project29 cited
• 2008Purple Pasts: Color Codification in the Ancient World18 cited
• 2013Aesthetics, Art, Evolution15 cited
• 2013The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion.14 cited
• 2005Facts not opinions?9 cited
• 2011International Year of Chemistry 2011: The Impressionists: Painting at the Time of Change4 cited
• 2018John Singer Sargent and thefin de siècleCulture of Mauve2 cited