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Celtic modern: music at the global fringe
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Celtic modern: music at the global fringe (2004)Celtic modern: music at the global fringe“Not just bow and string and notes”: Directors’ perspectives on community building as pedagogy in Celtic traditional music education organizations (2018)“Not just bow and string and …Race, empire, and early music (2014)Race, empire, and early musicThe ‘world’ before globalisation: Moroccan elements in The Incredible String Band's music (2011)The ‘world’ before globalisat…Interpretations of Tradition: From Gaelic Song to Celtic Pop (2010)Interpretations of Tradition:…Reluctant Diasporas of Northern Ireland: Migrant Narratives of Home, Conflict, Difference (2009)Reluctant Diasporas of Northe…Fiddling with Technology: The Effect of Media on Newfoundland Traditional Musicians (2007)Fiddling with Technology: The…Playing with Meaning: Perspectives on Culture, Commodification and Contestation Around the Didjeridu (2005)Playing with Meaning: Perspec…Playing With Meaning: Perspectives on Culture, Commodification and Contestation around the Didjeridu (2005)Playing With Meaning: Perspec…On the playing fields of the world (and Corsica): Politics, power, passion and polyphony (2003)On the playing fields of the …Ballads and sea songs of Newfoundland (1933)Making America More Musical through the Phonograph, 1900-1930 (1998)Folk Song: Tradition, Revival, and Re-Creation (2004)Diasporas in Modern Societies: Myths of Homeland and Return (1991)Strange Encounters: Embodied Others in Post-Coloniality (2000)Space, place and gender (2007)Distinction. A Social Critique of the Judgement of Taste (1985)Postmodernism, or, The cultural logic of late capitalism (1991)Distinction: A Social Critique of the Judgement of Taste* (2018)Studying Popular Music (1991)Musicology and Difference (1993)Global pop: world music, world markets (1998)Introduction: Partial Truths (1986)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)Playing in the Dark: Whiteness and the Literary Imagination. (1993)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)The Origins of Totalitarianism (2018)Music in the Early Colonial World (2019)The Social Life of Things (1986)The Black Atlantic: Modernity and Double Consciousness. (1997)The Philosophy of Money (2004)Naturalistic inquiry (1985)InterViews: An introduction to qualitative research interviewing (1997)Research Design: Qualitative, Quantitative, and Mixed Method Approaches (2016)Research-to-Resource: The Importance of Aural Learning in the Strings Classroom (2020)A Music Teaching Model Combining Deep Learning in the Perspective of Ecological Aesthetic Education: The Integration of Traditional Music Culture (2024)Embodiment and inspiration of Chinese philosophy of life in traditional music education (2024)Entangled Objects (1991)The Black Atlantic: Modernity and Double Consciousness (1994)
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Cited by

  • 2014Race, empire, and early music35 cited
  • 2009Reluctant Diasporas of Northern Ireland: Migrant Narratives of Home, Conflict, Difference16 cited
  • 2018“Not just bow and string and notes”: Directors’ perspectives on community building as pedagogy in Celtic traditional music education organizations13 cited
  • 2005Playing With Meaning: Perspectives on Culture, Commodification and Contestation around the Didjeridu7 cited
  • 2005Playing with Meaning: Perspectives on Culture, Commodification and Contestation Around the Didjeridu6 cited
  • 2010Interpretations of Tradition: From Gaelic Song to Celtic Pop5 cited
  • 2011The ‘world’ before globalisation: Moroccan elements in The Incredible String Band's music4 cited
  • 2003On the playing fields of the world (and Corsica): Politics, power, passion and polyphony3 cited
  • 2007Fiddling with Technology: The Effect of Media on Newfoundland Traditional Musicians3 cited

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