SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
From tejano to tango : Latin American popular music
0 references·16 citing·36 second hop
From tejano to tango : Latin American popular music (2002)From tejano to tango : Latin American pop…‘Folds of the heart’: performing life experience, emotion and empathy in Japanese tango music culture (2019)‘Folds of the heart’: perform…Seeking a New Path: Pasacalle Activists Practicing Culture in Villa El Salvador, Perú (2017)Seeking a New Path: Pasacalle…The Cultural Positioning of theBanda de Músicosin the Central Andes of Peru (2014)The Cultural Positioning of t…Contemporary Tango and the Cultural Politics ofMúsica Popular (2014)Contemporary Tango and the Cu…Rigo Tovar, Cumbia, and the Transnational Grupero Boom (2013)Rigo Tovar, Cumbia, and the T…Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity (2013)Producing the Andean Voice: P…Music cultures of mechanical reproduction (2013)Music cultures of mechanical …Cumbia Music in Colombia (2013)Cumbia Music in ColombiaCumbia in Mexico’s Northeastern Region (2013)Cumbia in Mexico’s Northeaste…Claiming Caribbeanness in the Brazilian Amazon:Lambada, Critical Cosmopolitanism, and the Creation of an Alternative Amazon (2013)Claiming Caribbeanness in the…Latin Down Under: Latin American migrant musicians in Australia and New Zealand (2011)Latin Down Under: Latin Ameri…Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima (2010)Mediating Sentiment and Shapi…Bolero Trios, Mestizo Panpipe Ensembles, and Bolivia’s 1952 Revolution: Urban La Paz Musicians and the Nationalist Revolutionary Movement (2010)Bolero Trios, Mestizo Panpipe…Solo drumming in the Puerto Rican bomba : an analysis of musical processes and improvisational strategies (2009)Solo drumming in the Puerto R…Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival (2009)Placer Culpable: Shame and No…Latunes: An Introduction (2008)Latunes: An IntroductionCultivating Differences: Symbolic Boundaries and the Making of Inequality. (1993)Changing Highbrow Taste: From Snob to Omnivore (1996)Music Revivals: Towards a General Theory (1999)Identifying with the Rebel of the Past (2014)Caribbean currents: Caribbean music from rumba to reggae (1996)Situating Salsa: Global Markets and Local Meanings in Latin Popular Music (2002)Music Genres and Corporate Cultures (2010)Transcultural Latino: Negotiating Music Industry Expectations of Latin American Migrant Musicians in Australasia (2013)In Search of ‘Independent’ Brisbane: Music, Memory, and Cultural Heritage (2014)Singing and Survival (2019)The Social Life of Things (1986)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)American Popular Song: The Great Innovators, 1900–1950 (1972)Life on the Hyphen: The Cuban-American Way. (1995)The poetics of sensibility: a revolution in literary style (1996)The possessive investment in whiteness: how white people profit from identity politics (1998)The Cunning of Recognition (2002)Music as social life: the politics of participation (2009)The Ethics of Success: Paradoxes of the Suffering Neoliberal Self in the Andean Peruvian Music Industry (2014)Framing culture: VCD music videos and the politics of genre in the Peruvian Andes (2017)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940 (1998)Cholas and pishtacos: stories of race and sex in the Andes (2002)One-Dimensional Man (2000)Dialectic of Enlightenment (2020)Stories of Crime and Music (2020)‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) (2023)Dialectic of enlightenment (2023)How Societies Remember (1989)Hybrid cultures: strategies for entering and leaving modernity (1996)The shock doctrine: the rise of disaster capitalism (2008)Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular (2015)Time and the Other: How Anthropology Makes Its Object (1983)The sublime object of ideology (1990)Music zones in the United States: a typological and geospatial perspective (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2011Latin Down Under: Latin American migrant musicians in Australia and New Zealand33 cited
  • 2014Contemporary Tango and the Cultural Politics ofMúsica Popular17 cited
  • 2013Rigo Tovar, Cumbia, and the Transnational Grupero Boom12 cited
  • 2013Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity11 cited
  • 2013Music cultures of mechanical reproduction11 cited
  • 2008Latunes: An Introduction9 cited
  • 2009Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival8 cited
  • 2010Bolero Trios, Mestizo Panpipe Ensembles, and Bolivia’s 1952 Revolution: Urban La Paz Musicians and the Nationalist Revolutionary Movement6 cited
  • 2013Cumbia Music in Colombia6 cited
  • 2010Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima6 cited
  • 2019‘Folds of the heart’: performing life experience, emotion and empathy in Japanese tango music culture5 cited
  • 2013Cumbia in Mexico’s Northeastern Region4 cited
  • 2017Seeking a New Path: Pasacalle Activists Practicing Culture in Villa El Salvador, Perú4 cited
  • 2014The Cultural Positioning of theBanda de Músicosin the Central Andes of Peru

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited
  • 2013Claiming Caribbeanness in the Brazilian Amazon:Lambada, Critical Cosmopolitanism, and the Creation of an Alternative Amazon3 cited
  • 2009Solo drumming in the Puerto Rican bomba : an analysis of musical processes and improvisational strategies3 cited