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Cited by

• 2003The Poetics of National and Racial Identity in Nineteenth-Century American Literature72 cited
• 1985"Bob" Cole: His Life and His Legacy to Black Musical Theater37 cited
• 2006Ashley Street Blues: Racial Uplift and the Commodification of Vernacular Performance in Lavilla, Florida, 1896-191629 cited
• 2008Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films27 cited
• 2002Of Black Bards, Known and Unknown: Music as Racial Metaphor in James Weldon Johnson's The Autobiography of an Ex-Colored Man20 cited
• 1992The Diminishing Rural Residue of Folklore in City and Urban Blues, Chicago 1915-195016 cited
• 2005African American Dance - Philosophy, Aesthetics, and ‘Beauty’16 cited
• 2011The Signature of Hip Hop: A Sociological Perspective13 cited
• 2003Performing Black-Jewish Symbiosis: The "Hassidic Chant" of Paul Robeson11 cited
• 2015W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era6 cited
• 1999William Dawson, "The New Negro," and His Folk Idiom5 cited
• 2010“Two Souls, Two Thoughts, Two Unreconciled Strivings”: The Sound of Double Consciousness in Roland Hayes’s Early Career4 cited
• 1992The Community That Gave Jazz to Chicago4 cited
• 2014