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Folklore
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Folklore (1975)FolkloreThe Cambridge Introduction to Performance Theory (2016)The Cambridge Introduction to…When is oral narrative poetry? generative form and its pragmatic conditions (2015)When is oral narrative poetry…Language, identity, performance (2015)Language, identity, performan…Genre, heteroglossic performances, and new identity: Stand-up comedy in modern French society (2015)Genre, heteroglossic performa…Burst of Breath: Indigenous Ritual Wind Instruments in Lowland South America (2011)Burst of Breath: Indigenous R…Tradition: Three Traditions (2009)Tradition: Three TraditionsWhy Performance? Why Now? Textuality and the Rearticulation of Human Presence (2003)Why Performance? Why Now? Tex…Self-Interpretation, Agency, and the Objects of Anthropology: Reflections on a Genealogy (2003)Self-Interpretation, Agency, …Orientation in Immigrant Narratives: The Role of Ethnicity in the Identification of Characters (2000)Orientation in Immigrant Narr…Stories and Encounters between Storytelling Organizations (1999)Stories and Encounters betwee…Jokes, gender, and discursive distance on the Tamil popular stage (1997)Jokes, gender, and discursive…Mythography: The Study of Myths and Rituals (1988)Mythography: The Study of Myt…How Black EnglishPastgot to the present: Evidence from Samaná (1988)How Black EnglishPastgot to t…A bibliography of fieldwork in the ethnography of communication (1986)A bibliography of fieldwork i…NETWORK AND MEANING: AN INTERACTIONIST APPROACH TO STRUCTURE* (1983)NETWORK AND MEANING: AN INTER…he‐said‐she‐said: formal cultural procedures for the construction of a gossip dispute activity (1980)he‐said‐she‐said: formal cult…Personal Knowledge: Towards a Post-Critical Philosophy (1959)The Invention of Tradition (1986)Learning to Labor: How Working Class Kids Get Working Class Jobs. (1996)Cultural Property and the Right of Interpretation: Negotiating Folklore in the Islamic Republic of Iran (2012)Tradition in the Twenty-First Century: Locating the Role of the Past in the Present (2013)Introduction: The Challenge of the Folkloresque (2015)The Rites Of Passage (1961)On mythic criticism (1990)All that is solid melts into air : the experience of modernity (1995)Fighting Terror by Rite of Redemption and Reconciliation (2007)Philosophy and the Mirror of Nature (2008)The Greek Mythic Story World (2015)Essays on the Verbal and Visual Arts (1968)A sociolinguistic description of Detroit Negro speech. By Walter A. Wolfram. (Urban language series, 5.) Washington, D.C.: Center for Applied Linguistics, 1969. Pp. xviii, 237. $5.00. (1970)Transitivity in Grammar and Discourse (1980)“The black men has wives and Sweet harts [and third person plural -s] Jest like the white men”: Evidence for verbal -s from written documents on 19th-century African American speech (1993)Unequal partnership: Sociolinguistics and the African American speech community (1997)Dialect/standard convergence, mixing, and models of language contact: the case of Italy (2005)The Ritual Process: Structure and Anti-Structure (1976)Between Men (1985)Gender trouble: feminism and the subversion of identity (1990)Friendship and Flirting: Micro-Politics in Kerala, South India (1998)On the Uses of Obscenity in Live Stand-Up Comedy (2011)The playful is political: The metapragmatics of internet rape-joke arguments (2011)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Handbook of Qualitative Research (1994)Writing Responsibly: Narrative Fiction and Organization Studies (2005)Introduction: Polyphony and Organization Studies: Mikhail Bakhtin and Beyond (2008)Being Where? Navigating the Involvement Paradox in Qualitative Research Accounts (2017)ASPECTS OF THE THEORY OF SYNTAX (1964)A simplest systematics for the organization of turn-taking for conversation (1974)Frame Analysis: An Essay on the Organization of Experience. 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(1954)The Strength of Weak Ties (1973)Symbolic Interactionism: A Social Structural Version (1980)That's not funny: Understanding recipients' responses to teasing (1996)Tackling connections, structure, and meaning in networks: quantitative and qualitative methods in sociological network research (2011)Rekeying Cultural Scripts for Youth Suicide: How Social Networks Facilitate Suicide Diffusion and Suicide Clusters Following Exposure to Suicide (2019)Outline of a Theory of Practice. (1980)Semiotics and the social analysis of material things (2003)The evidence of the senses and the materiality of religion (2008)The Location of Culture (2012)The Subject of Virtue: An Anthropology of Ethics and Freedom (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Research Interviewing: Context and Narrative (1986)Positioning: The Discursive Production of Selves (1990)The Ethnic Origins of Nations. (1990)Juggling identities in interviews: The metapragmatics of ‘doing humour’ (2018)Narratives of migration on Facebook: Belonging and identity among former fellow refugees (2018)Resettled Refugee Youths’ Stories of Migration, Schooling, and Future: Challenging Dominant Narratives About Refugees (2018)
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  • 1983NETWORK AND MEANING: AN INTERACTIONIST APPROACH TO STRUCTURE*205 cited
  • 1980he‐said‐she‐said: formal cultural procedures for the construction of a gossip dispute activity191 cited
  • 2003Self-Interpretation, Agency, and the Objects of Anthropology: Reflections on a Genealogy167 cited
  • 2015Language, identity, performance139 cited
  • 1988How Black EnglishPastgot to the present: Evidence from Samaná130 cited
  • 1988Mythography: The Study of Myths and Rituals113 cited
  • 1999Stories and Encounters between Storytelling Organizations112 cited
  • 2009Tradition: Three Traditions110 cited
  • 2000Orientation in Immigrant Narratives: The Role of Ethnicity in the Identification of Characters76 cited
  • 1997Jokes, gender, and discursive distance on the Tamil popular stage71 cited
  • 1986A bibliography of fieldwork in the ethnography of communication59 cited
  • 2011Burst of Breath: Indigenous Ritual Wind Instruments in Lowland South America56 cited
  • 2016The Cambridge Introduction to Performance Theory48 cited
  • 2003Why Performance? Why Now? Textuality and the Rearticulation of Human Presence48 cited

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2015
Genre, heteroglossic performances, and new identity: Stand-up comedy in modern French society
46 cited
  • 2015When is oral narrative poetry? generative form and its pragmatic conditions46 cited