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Modern Musical Scholarship
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Modern Musical Scholarship (1980)Modern Musical ScholarshipVocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Organum –discantus–contrapunctusin the Middle Ages (2002)Organum –discantus–contrapunc…Vedel and Geige-Fiddle and Viol: German String Traditions in the Fifteenth Century (1989)Vedel and Geige-Fiddle and Vi…New sources of English fourteenth- and fifteenth-century polyphony (1983)New sources of English fourte…Gerald of Wales and the Sumer Canon (1983)Gerald of Wales and the Sumer…New sources of English thirteenth- and fourteenth- century polyphony (1982)New sources of English thirte…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Music in Late Medieval Bruges (1986)MEDIOEVO E RINASCIMENTO (1995)Music in Renaissance Ferrara 1400–1505 (2009)A History of Western Music (1960)Studies in Musicology 1935–1975 (1977)The Journey through Wales ; and The Description of Wales (1978)Medieval libraries of Great Britain : a list of surviving books (1941)Medieval religious houses, England and Wales (1953)English manuscripts in the century after the Norman Conquest (1960)Practical books for the gentleman (1999)The books of the common law (1999)The early royal collections and the Royal Library to 1461 (1999)Source Readings in Music History (1966)On Compositional Process in the Fifteenth Century (1987)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Rehearing Machaut's Motets (2010)Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521) (2014)Improvisation as concept and musical practice in the fifteenth century (2015)Printing (1999)The Acts and Monuments of John Foxe (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Music in the Early Colonial World (2019)
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Cited by

  • 2012The Cambridge History of Musical Performance46 cited
  • 2002Organum –discantus–contrapunctusin the Middle Ages37 cited
  • 1983New sources of English fourteenth- and fifteenth-century polyphony36 cited
  • 1982New sources of English thirteenth- and fourteenth- century polyphony31 cited
  • 1983Gerald of Wales and the Sumer Canon15 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 1989Vedel and Geige-Fiddle and Viol: German String Traditions in the Fifteenth Century5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited

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