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Into the Vortex: Female Voice and Paradox in Film
3 references·5 citing·28 second hop
Into the Vortex: Female Voice and Paradox in Film (2006)Into the Vortex: Female Voice and Paradox…The Unruly Woman: Gender and the Genres of Laughter (1995)The Unruly Woman: Gender and …The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)The Acoustic Mirror: The Fema…Women's Film and Female Experience, 1940-1950 (1985)Women's Film and Female Exper…Präexistente Musik im Film (2022)Präexistente Musik im FilmWhat “The Bechdel Test” doesn’t tell us: examining women’s verbal and vocal (dis)empowerment in cinema (2016)What “The Bechdel Test” doesn…Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–1950 (2015)Radio and the Gendered Sounds…Playing Mozart : Biopics and the musical (re)invention of a composer (2009)Playing Mozart : Biopics and …Fasten Your Seatbelts and Prick Up Your Ears: The Dramatic Human Voice in Film (2006)Fasten Your Seatbelts and Pri…Story and Discourse: Narrative Structure in Fiction and Film (1979)Unheard melodies: narrative film music (1988)Narration in the Fiction Film (2013)Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema (2021)Image-Music-Text (1977)In A Different Voice: Psychological Theory And Women's Development (1982)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)The Soundings with My Sisters: Sovereignty, Intimacy, Disappointment (2017)Up in the air? The matter of radio studies (2018)Visual Pleasure and Narrative Cinema (1975)The Acoustic Mirror (1988)The acoustic mirror: the female voice in psychoanalysis and cinema (1989)Measuring centrality in film narratives using dynamic character interaction networks (2020)Matrilineality and the portrayal of women in Meghalaya cinema (2022)Gender bias in video game dialogue (2023)An Experimental Study of Apparent Behavior (1944)The Field of Cultural Production (1994)The way we think: conceptual blending and the mind's hidden complexities (2002)The Voice in the Cinema: The Articulation of Body and Space (1980)Mildred Pierce, Warner Bros., and the Corporate Family (2002)Through the (New) Looking Glass (2002)“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film (2014)Audio-vision: sound on screen (1994)Critical pedagogy and predatory culture (1994)Anthropology and Voice (2014)‘Getting Out and Getting Away’: Women's Narratives of Class Mobility (1999)Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes (2001)Ancient Greek Lists: Catalogue and Inventory Across Genres (2021)
this work references cited by second hop

References

  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1995The Unruly Woman: Gender and the Genres of Laughter501 cited
  • 1985Women's Film and Female Experience, 1940-195057 cited

Cited by

  • 2015Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–195028 cited
  • 2016What “The Bechdel Test” doesn’t tell us: examining women’s verbal and vocal (dis)empowerment in cinema28 cited
  • 2006Fasten Your Seatbelts and Prick Up Your Ears: The Dramatic Human Voice in Film27 cited
  • 2009Playing Mozart : Biopics and the musical (re)invention of a composer5 cited
  • 2022Präexistente Musik im Film3 cited

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