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Thirty Frames Per Second: The Visionary Art of the Music Video
0 references·6 citing·25 second hop
Thirty Frames Per Second: The Visionary Art of the Music Video (2000)Thirty Frames Per Second: The Visionary A…El contenido del videoclip dominante como reproductor cultural e ideológico (2017)El contenido del videoclip do…Not Another Article on the Author! God and Auteurs in Moving Image Analysis (2015)Not Another Article on the Au…Discourses of popular politics, war and authenticity in Turkish pop music (2013)Discourses of popular politic…‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001 (2012)‘Kick, Bollocks and Scramble’…Video thrills the Radio Star (2011)Video thrills the Radio StarLa autoría en el vídeo musical: Signo de identidad y estrategia comercial (2008)La autoría en el vídeo musica…Introduction to functional grammar . By M. A. K. Halliday London & Baltimore: Edward Arnold, 1985. Pp. xxxv, 387. (1989)Analysing Discourse (2003)Analysing Discourse: Textual Analysis for Social Research (2003)Social constructionism in music studies (2016)Mapping Popular Music Studies in Turkey Onto Studies in the Anglophone World (2017)From religious performances to martial themes (2019)Dancing in the distraction factory: music television and popular culture (1993)Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations (2006)Music Genres and Corporate Cultures (2010)The Fine Art of Commercial Freedom: British Music Videos and Film Culture (2014)The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain (2019)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Popular music on screen: from the Hollywood musical to music video (2000)La visibilidad de la autoría en el videoclip post-televisivo : la dignificación del vídeo musical a través de la reivindicación de los creadores en los créditos. (2020)The Structure of Scientific Revolutions (1963)Trust: making and breaking cooperative relations (1989)The Interpretation of Cultures (2017)Transmission of aggression through imitation of aggressive models. (1961)Video games and aggressive thoughts, feelings, and behavior in the laboratory and in life. (2000)Effects of Violent Video Games on Aggressive Behavior, Aggressive Cognition, Aggressive Affect, Physiological Arousal, and Prosocial Behavior: A Meta-Analytic Review of the Scientific Literature (2001)¡Soy músico youtuber! Construcción de la identidad artística a través del cover y la ficción. El caso de las violinistas Taylor Davis y Lindsey Stirling (2019)El videoclip social. Análisis de su narrativa y estética (2020)Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Sound and vision: the music video reader (1994)The speed of sound: Hollywood and the talkie revolution, 1926-1930 (1998)
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  • 2017El contenido del videoclip dominante como reproductor cultural e ideológico10 cited
  • 2012‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–200110 cited
  • 2013Discourses of popular politics, war and authenticity in Turkish pop music7 cited
  • 2011Video thrills the Radio Star4 cited
  • 2008La autoría en el vídeo musical: Signo de identidad y estrategia comercial4 cited
  • 2015Not Another Article on the Author! God and Auteurs in Moving Image Analysis3 cited

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