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Buried Country: The Story of Aboriginal Country Music
0 references·16 citing·60 second hopsampled
Buried Country: The Story of Aboriginal Country Music (2020)Buried Country: The Story of Aboriginal C…Representing Australian Aboriginal Music and Dance 1930–1970 (2020)Representing Australian Abori…Afropolitan Projects: Music, Representation, and the Politics of Belonging in Australia (2017)Afropolitan Projects: Music, …Striking the Right Chord: Indigenous people and the love of country (2016)Striking the Right Chord: Ind…‘Enough is Enough’: songs and messages about alcohol in remote Central Australia (2016)‘Enough is Enough’: songs and…Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’ (2013)Locating the canon in Tamwort…The intercultural crafting of real Aboriginal country and manhood in Central Australia (2012)The intercultural crafting of…Gympie’s country music Muster: Creating a cultural economy from a local tradition (2012)Gympie’s country music Muster…Indigenous Music as a Space of Resistance (2010)Indigenous Music as a Space o…"Singing Trauma Trails": Songs of the Stolen Generations in Indigenous Australia (2010)"Singing Trauma Trails": Song…Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour (2009)Playing with Others and Selve…MEDIATING KINSHIP: Country, Family, and Radio in Northern Australia (2009)MEDIATING KINSHIP: Country, F…Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Creativity and Cultural Produ…Decolonizing the production of geographical knowledges? reflections on research with indigenous musicians (2006)Decolonizing the production o…'Women Singing Up Big' the Growth of Contemporary Music Recordings by Indigenous Australian Women Artists (2006)'Women Singing Up Big' the Gr…INDIGENOUS MOVEMENTS IN AUSTRALIA (2005)INDIGENOUS MOVEMENTS IN AUSTR…Burr-Gi Wargugu ngu-Ninya Rrawa: Expressions of ancestry and country In songs by the Letterstisand (2002)Burr-Gi Wargugu ngu-Ninya Rra…Bowling Alone: America's Declining Social Capital (1995)Cultural economy: a critical review (2005)Expanding the Domain of Festival Research: A Review and Research Agenda (2016)The Production of Locality (2018)‘Demand’ for culture and ‘allied’ industries: policy insights from multi-site creative economy research (2020)Activating rural infrastructures in regional communities: Cultural funding, silo art works and the challenge of local benefit (2024)Fictions Of Feminist Ethnography (1994)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Encountering indigeneity: re‐imagining and decolonizing geography (2006)Developing a geographers' agenda for online research ethics (2007)What is a community's desire? 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(1981)Subculture: The Meaning of Style (1995)Creating Country Music (1997)Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions (2016)Framing the field of popular music history and heritage studies (2018)Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study) (2023)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Yearning: Race, Gender, and Cultural Politics (1990)Domination and the arts of resistance: hidden transcripts (1991)Hearing Urban Indigeneity in Canada: Self-Determination, Community Formation, and Kinaesthetic Listening with A Tribe Called Red (2015)Sampling Ceremony: Hip-hop Workshops and Intergenerational Cultural Production in the Central Australian Desert (2021)Toward an Indigenizing, Anti-Colonial Framework for Adolescent Development Research (2021)Custer Died for Your Sins: An Indian Manifesto (1970)Uprootings/Regroundings : Questions of Home and Migration (2003)Disciplining the Savages, Savaging the Disciplines (2007)An ecological approach to mapping remote creative practices: insights from an Australian Desert region (2021)Prison Theatre and an Embodied Aesthetics of Liberation: Exploring the Potentials and Limits (2021)Listening to Country: Immersive Audio Production and Deep Listening with First Nations Women in Prison (2022)Archive fever: a Freudian impression (1997)Settler colonialism and the elimination of the native (2006)Decolonizing Methodologies: Research and Indigenous Peoples (2013)Representing Australia to the Commonwealth in 1965: Aborigiana and Indigenous Performance (2019)Reclaiming archives: guest editorial (2021)The British (and International?) 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  • 2008Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting142 cited
  • 2005INDIGENOUS MOVEMENTS IN AUSTRALIA42 cited
  • 2009MEDIATING KINSHIP: Country, Family, and Radio in Northern Australia34 cited
  • 2006Decolonizing the production of geographical knowledges? reflections on research with indigenous musicians31 cited
  • 2012Gympie’s country music Muster: Creating a cultural economy from a local tradition28 cited
  • 2020Representing Australian Aboriginal Music and Dance 1930–197020 cited
  • 2010Indigenous Music as a Space of Resistance19 cited
  • 2013Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’18 cited
  • 2016Striking the Right Chord: Indigenous people and the love of country15 cited
  • 2010"Singing Trauma Trails": Songs of the Stolen Generations in Indigenous Australia14 cited
  • 2012The intercultural crafting of real Aboriginal country and manhood in Central Australia13 cited
  • 2009Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour12 cited
  • 2006'Women Singing Up Big' the Growth of Contemporary Music Recordings by Indigenous Australian Women Artists7 cited
  • 2016

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‘Enough is Enough’: songs and messages about alcohol in remote Central Australia
6 cited
  • 2017Afropolitan Projects: Music, Representation, and the Politics of Belonging in Australia5 cited
  • 2002Burr-Gi Wargugu ngu-Ninya Rrawa: Expressions of ancestry and country In songs by the Letterstisand5 cited