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Since the 1980s, the number of recordings made by Indigenous Australian performers has grown and those by Indigenous Australian women particularly have increased in the last 16 years. While scholars have examined the factors for the increase of recordings made by Indigenous performers generally, critical literature focusing on the continuing growth of recording output by Indigenous women performers is limited. Drawing on two discographies I have compiled of commercial recordings by Indigenous women performers, I examine the possible factors contributing to the growth of recordings by Indigenous women artists since 1990. I also examine some issues regarding gender and music and the social and political contexts relating to the recording output of Indigenous Australian women.
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