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The Cambridge companion to conducting
1 references·14 citing·46 second hop
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this work references cited by second hop

References

  • 1987AUTHENTICITY IN MUSICAL PERFORMANCE77 cited

Cited by

  • 2018Middle-Status Conformity Revisited: The Interplay between Achieved and Ascribed Status72 cited
  • 2016Christopher Small's Concept of Musicking: Toward a Theory for Choral Singing Pedagogy in Prison Contexts43 cited
  • 2014Correction sequences and semiotic resources in ensemble music workshops: the case of Conduction®30 cited
  • 2008Philosophy for Managers: Reflections of a Practitioner28 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 2015Choral Singers’ Perceptions of Musical Leadership20 cited
  • 2010Choral Research : A Global Bibliography13 cited
  • 2007Soundpainting as a system for the collaborative creation of music in performance7 cited
  • 2020The Electrician, the Magician and the Nervous Conductor5 cited
  • 2013Other classical repertories4 cited
  • 2010Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-19404 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2013Introduction: understanding the symphony3 cited
  • 2013Beethoven’s shadow: the nineteenth century3 cited

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