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Emile Cohl, caricature, and film
2 references·13 citing·40 second hop
Emile Cohl, caricature, and film (1990)Emile Cohl, caricature, and filmPoint of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (1987)Point of View in the Cinema: …The Cinematic Apparatus (1981)The Cinematic ApparatusThe Lightning Cartoon: Animation from Music Hall to Cinema (2018)The Lightning Cartoon: Animat…Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine (2014)Some Observations Pertaining …Animation, in Theory (2014)Animation, in TheoryAnimating the Instant (2014)Animating the Instant“First Principles” of Animation (2014)“First Principles” of Animati…Surveying the World of Contemporary Comics Scholarship: A Conversation (2011)Surveying the World of Contem…A Trick Question: Are Early Animated Drawings a Film Genre or a Special Effect? (2011)A Trick Question: Are Early A…Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film (2010)Sketching Under the Influence…"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips (2009)"Wait for the Next Pictures":…Observations on the History and Uses of Animation Occasioned by the Exhibition Eyes, Lies and Illusions Selected from Works in the Werner Nekes Collection (2008)Observations on the History a…Up-to-Date Magic: Theatrical Conjuring and the Trick Film (2006)Up-to-Date Magic: Theatrical …Mallarmé's Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–98 (2005)Mallarmé's Cinepoetics: The P…Defining ‘Animation’: The Animated Film and the Emergence of the Film Bill (2000)Defining ‘Animation’: The Ani…The Human Use of Human Beings: Cybernetics and Society (1951)"The ghost in the machine". (1968)The Human Condition (1998)Anecdotal Evidence (2020)The transformation of cinema, 1907-1915 (1991)To Be Continued...: Soap Operas Around the World (1995)Melodrama and modernity: early sensational cinema and its contexts (2001)The Philosophy of Comics (2023)Television: Technology and Cultural Form (1974)Le signifiant imaginaire (1975)McKinley at Home: How Early American Cinema Made News (1999)Distribution and Media Flows (2005)South Asian ways of seeing, Muslim ways of knowing (2007)Before Mickey: The Animated Film 1898-1928 (1984)The Victorian Music Hall: Culture, Class and Conflict (1999)The Haunted Gallery: painting, photography, film c. 1900 (2010)Figure and Force in Animation Aesthetics (2019)We Have Never Been Modern (1994)How We Became Posthuman (1999)Parables for the Virtual (2002)T. S. Eliot and Cinema (2006)Posing Modernism: Delsartism in Modern Dance and Silent Film (2009)Understanding Media: The Extensions of Man (1964)The American Film Industry (1985)Magic, Monsters, and Movies: America’s Midnight Ghost Shows (2010)Visual Pleasure and Narrative Cinema (1975)Postmodernism, or, The cultural logic of late capitalism (1991)Traces of the World: Cel Animation and Photography (2016)Animating Chinese cinemas: A preface (2017)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Design in Motion: Introducing Science/Animation (2015)Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer (2015)The emergence of cinema : the American screen to 1907 (1990)Shared Pleasures: A History of Movie Presentation in the United States. (1993)The Classical Hollywood Cinema (2003)Some Thoughts on Practice-Theory Relationships in Animation Studies (2006)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)When Opera Meets Film (2010)A Sense of Place: VR Journalism and Emotional Engagement (2020)
this work references cited by second hop

References

  • 1987Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film173 cited
  • 1981The Cinematic Apparatus81 cited

Cited by

  • 2014Animating the Instant37 cited
  • 2014“First Principles” of Animation35 cited
  • 2009"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips21 cited
  • 2005Mallarmé's Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–9820 cited
  • 2000Defining ‘Animation’: The Animated Film and the Emergence of the Film Bill20 cited
  • 2008Observations on the History and Uses of Animation Occasioned by the Exhibition Eyes, Lies and Illusions Selected from Works in the Werner Nekes Collection17 cited
  • 2018The Lightning Cartoon: Animation from Music Hall to Cinema14 cited
  • 2006Up-to-Date Magic: Theatrical Conjuring and the Trick Film14 cited
  • 2011A Trick Question: Are Early Animated Drawings a Film Genre or a Special Effect?13 cited
  • 2014Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine12 cited
  • 2011Surveying the World of Contemporary Comics Scholarship: A Conversation11 cited
  • 2010Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film7 cited

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  • 2014Animation, in Theory7 cited