Voice in motion: staging gender, shaping sound in early modern England

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Renaissance Literature and Culture Theatre and Performance Studies Sound Studies and Aurality

Abstract

Introduction: From Excitable Speech to Voice in Motion 1. Squeaky Voices: Marston, Mulcaster, and the Boy Actor 2. Words Made of Breath: Shakespeare, Bacon, and Particulate Matter 3. Fortress of the Ear: Shakespeare's Late Plays, Protestant Sermons, and Audience 4. Echoic Sound: Sandys's Englished Ovid and Feminist Criticism Epilogue: Performing the Voice of Queen Elizabeth Notes Bibliography Index Acknowledgments

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