References

No references inside the corpus for this window.

Cited by

• 2015“Sing it Like Poor Barbary”: Othello and Early Modern Women’s Performance89 cited
• 2019Impossible Desire and the Limits of Knowledge in Renaissance Poetry39 cited
• 2020Studying the echo in the early modern period: between the academy and the natural world33 cited
• 2009Shakespeare and Science, c. 160032 cited
• 2010Lo Schiavetto (1612): Travestied Sound, Ethnic Performance, and the Eloquence of the Body22 cited
• 2015“The Blazing Torch”: New Light on English Balladry as a Multi-Media Matrix20 cited
• 2019Culturally Speaking: The Rhetoric of Voice and Identity in a Mediated Culture18 cited
• 2012The Mediation of Poesie: Ophelia’s Orphic Song17 cited
• 2015Being-in-Light at the Early Modern and Reconstructed Theatres15 cited
• 2010Manly Drunkenness: Binge Drinking as Disciplined Play10 cited
• 2019Best-Selling Ballads and the Female Voices of Thomas Deloney9 cited
• 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
• 2018The Convention of the Boy Actor in Early Modern Tragedies6 cited
• 2018Asexuality, Queer Chastity, and Adolescence in Early Modern Literature5 cited