References

No references inside the corpus for this window.

Cited by

• 2003The Other Beethoven: Heroism, the Canon, and the Works of 1813–14118 cited
• 2012M eyer's Anvil: Revisiting the Schema Concept84 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2013Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism45 cited
• 2009Concerto of the individual20 cited
• 2007After the Golden Age17 cited
• 2012The performer and the composer10 cited
• 2010Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata8 cited
• 2016Schumann's a-Minor Mood8 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2007Beethoven and the Double Bar5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2012Vocal performance in the Renaissance