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Aftershocks of the New: Feminism and Film History
0 references·16 citing·41 second hop
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  • 2008What's the Point of an Index? or, Faking Photographs155 cited
  • 2012Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer77 cited
  • 2008Gossip, Letters, Phones47 cited
  • 2008STRUCTURAL FILM:25 cited
  • 2011Scripted Spaces22 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2003The Three Faces of Eve: The Post-war Housewife, Melodrama, and Home 115 cited
  • 2008A short history of film15 cited
  • 2007??The Point of View of Shame?: Re-viewing female desire in Catherine Breillat'sRomance(1999) andAnatomy of Hell(2004)?14 cited
  • 2007Para-Paracinema13 cited
  • 2011WORKER BLOWBACK:12 cited
  • 2011Sofia Coppola12 cited
  • 2011Television’s Aesthetic of Efficiency11 cited
  • 2007The Blue Angel in Multiple-Language Versions10 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film

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9 cited