The performance of 16th-century music: learning from the theorists

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Musicology and Musical Analysis Renaissance Literature and Culture Diverse Music Education Insights

Abstract

ABOUT THE COMPANION WEB SITE PREFACE 1. Introduction 2. Part-Book vs. Score Culture 3. Solmization 4. Metric Hierarchy, Articulation, and Rhythmic Flexibility 5. Cadences 6. Mode 7. The Rhetoric of Counterpoint 8. What Skills were Expected of Professional Musicians? 9. Score Culture 10. Conclusion APPENDIX: MODAL CHARACTERISTICS BIBLIOGRAPHY INDEX

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2019The Cambridge History of Sixteenth-Century Music 2013The Notation Is Not the Music: Reflections on Early Music Practice and Performance 2019Music in the Early Colonial World 2013The Notation Is Not the Music 2017From pain to pleasure: The troping of elegy in the renaissance Italian madrigal 2018Agricola und das Verkehrte. Zum Umgang mit satztechnischen Idiosynkrasien in Musik des späten 15. Jahrhunderts 2014Práctica de tañedores, entre los siglos XVI y XXI 2016“A counterfeit of what has to decay”: Vermeer and the Mapping of Absence in A Woman with a Lute

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