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Cited by

• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2013The Notation Is Not the Music: Reflections on Early Music Practice and Performance27 cited
• 2019Music in the Early Colonial World24 cited
• 2013The Notation Is Not the Music4 cited
• 2017From pain to pleasure: The troping of elegy in the renaissance Italian madrigal2 cited
• 2018Agricola und das Verkehrte. Zum Umgang mit satztechnischen Idiosynkrasien in Musik des späten 15. Jahrhunderts2 cited
• 2014Práctica de tañedores, entre los siglos XVI y XXI2 cited
• 2016“A counterfeit of what has to decay”: Vermeer and the Mapping of Absence in A Woman with a Lute1 cited