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The Union of words and music in medieval poetry
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The Union of words and music in medieval poetry (1991)The Union of words and music in medieval …Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries (2015)Recent Trends in the Study of…SINGING THE HICCUP – ON TEXTING THE HOCKET (2013)SINGING THE HICCUP – ON TEXTI…A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THEPEDES-CUM-CAUDAMOTET (2013)A NEW LINK BETWEEN THE MOTET …The Trecento commentaries on Dante's Commedia (2005)The Trecento commentaries on …The arts of preaching (2005)The arts of preachingThe arts of poetry and prose (2005)The arts of poetry and proseThe arts of letter-writing (2005)The arts of letter-writingMedieval Irish literary theory and criticism (2005)Medieval Irish literary theor…Medieval imagination and memory (2005)Medieval imagination and memo…Latin commentary tradition and vernacular literature (2005)Latin commentary tradition an…Grammaticaand literary theory (2005)Grammaticaand literary theoryFROM THE TWELFTH CENTURY TOc. 1450 (2005)FROM THE TWELFTH CENTURY TOc.…Dante Alighieri: experimentation and (self-)exegesis (2005)Dante Alighieri: experimentat…The polyphonicrondeau c.1300: Repertory and context (1996)The polyphonicrondeau c.1300:…Phrasing in medieval song: perspectives from traditional music (1996)Phrasing in medieval song: pe…Signature-systems and tonal types in the fourteenth-century French chanson (1995)Signature-systems and tonal t…Source Readings in Music History (1950)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Music in Late Medieval Bruges (1986)Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered? (1998)"Messy Structure"? Multiple Tonal Centers in the Music of Machaut (2008)Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts (2011)A History of the Crusades (1955)From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry (1991)Choosing a Thirteenth-Century Motet Tenor: From the Magnus liber organi to Adam de la Halle (2019)From Song to Book (2019)The Interpretation of Music (1955)The modern invention of medieval music: scholarship, ideology, performance (2003)Medieval Music and the Art of Memory (2005)Franzosisches Etymologisches Worterbuch. (1927)Die Musik in Geschichte und Gegenwart (1989)The Crisis of Music in Early Modern Europe, 1470-1530 (2005)Metapoesis in Trecento Song: ‘Divisio’ at the Intersection of Love, Poetic Form, and Music (2018)Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment (2019)James MacMillan Studies (2020)Gattungen der Musik in Einzeldarstellungen : Gedenkschrift Leo Schrade (1973)Johannes de Grocheio on secular music: a corrected text and a new translation (1993)French Motets in the Thirteenth Century: Music, Poetry and Genre (1995)Song and Quotation in Two-Voice Motets for Saint Elizabeth of Hungary (2017)GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’ (2019)European Literature and the Latin Middle Ages (1954)Futures past: on the semantics of historical time (1987)Beginning Theory: An Introduction to Literary and Cultural Theory (1995)Tudor Royal Proclamations (2020)The Cambridge History of Later Medieval Philosophy (1982)Futures Past: On the Semantics of Historical Time. (1987)"A Riotous Spray of Words": Rethinking the Medieval Theory of Satire (2009)Commentary and Collaboration in the Medieval Allegorical Tradition (2014)Theory of Literature (2021)The Art of Memory (1966)Marvels in the Medieval Imagination (2015)Middle English Mouths: Late Medieval Medical, Religious and Literary Traditions (2018)Memory (2021)The Riverside Chaucer (1986)Julian of Norwich'sShowingsand theAncrene Riwle: Two Rhetorical Configurations of Mysticism (2008)‘Crittickize uppon the smallest word’ (2021)The Places of Early Modern Criticism (2021)
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  • 2005FROM THE TWELFTH CENTURY TOc. 145033 cited
  • 2013A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THEPEDES-CUM-CAUDAMOTET26 cited
  • 2005Grammaticaand literary theory26 cited
  • 2013SINGING THE HICCUP – ON TEXTING THE HOCKET22 cited
  • 2005The arts of letter-writing19 cited
  • 2005Medieval imagination and memory15 cited
  • 1996The polyphonicrondeau c.1300: Repertory and context14 cited
  • 1995Signature-systems and tonal types in the fourteenth-century French chanson9 cited
  • 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries7 cited
  • 2005Latin commentary tradition and vernacular literature6 cited
  • 2005Dante Alighieri: experimentation and (self-)exegesis6 cited
  • 1996Phrasing in medieval song: perspectives from traditional music5 cited
  • 2005The Trecento commentaries on Dante's Commedia3 cited
  • 2005Medieval Irish literary theory and criticism3 cited
  • 2005The arts of poetry and prose3 cited
  • 2005

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The arts of preaching
3 cited