SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sinascape: contemporary Chinese cinema
0 references·9 citing·35 second hop
Sinascape: contemporary Chinese cinema (2007)Sinascape: contemporary Chinese cinemaSensing ‘performance anxiety’: Zhang Ziyi, Tang Wei, and female film stardom in the People’s Republic of China (2015)Sensing ‘performance anxiety’…The creative evolution and crystallisation of the ‘bastard line’: drifting from the Rive Gauche intoSuzhou River (2014)The creative evolution and cr…Shakespeare and World Cinema (2012)Shakespeare and World CinemaNotes on four major paradigms in Chinese-language film studies (2012)Notes on four major paradigms…Mobile intimacies in the queer Sinophone films of Cui Zi'en (2012)Mobile intimacies in the quee…Discoloured vestiges of history: Black and white in the age of colour cinema (2012)Discoloured vestiges of histo…Aspects of Urbanization in China: Shanghai, Hong Kong, Guangzhou (2012)Aspects of Urbanization in Ch…Aspects of Urbanization in China : Shanghai, Hong Kong, Guangzhou (2012)Aspects of Urbanization in Ch…Remade in Hollywood: the global Chinese presence in transnational cinemas (2010)Remade in Hollywood: the glob…Immigrant Acts: On Asian American Cultural Politics. (1997)Theorising Chinese Masculinity: Society and Gender in China (2002)From the Transnational to the Sinophone: Lesbian Representations in Chinese-Language Films (2012)Situating Hong Kong and Bollywood Cinemas in the Global (2016)Transnational Chinese Cinemas (2017)The World Viewed: Reflections on the Ontology of Film (1973)Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility (2008)A history of pain: trauma in modern Chinese literature and film (2009)Transnational cinema : the film reader (2006)Visuality and IdentitySinophone Articulations across the Pacific (2007)World Cinemas, Transnational Perspectives (2009)Lenin and Philosophy and Other Essays (1971)Affective Economies (2004)The Cultural Politics of Emotion (2013)The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Societies. (1993)A Brief History of Neoliberalism (2005)Chinese Queer Images on Screen: A Case Study of Cui Zi’en’s Films (2014)Aesthetics of queer becoming: Comrade Yue and Chinese community-based documentaries online (2016)Beijing Meets Hawai‘i (2017)A Brief History of Neoliberalism (2020)Nietzsche and Philosophy (1984)Narration in the Fiction Film (1986)Narration in the Fiction Film (2013)Reimagining Affection in a Changing Shanghai (2023)The Death and Life of Great American Cities (1962)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Transnational Flows and Permissive Polities (2012)Rhythms, dressage and pacemaking in South Side Chicago: examining the construction site of the Obama Presidential Center (2024)The spectacle of the Chinese city: urban atmospheres, the built environment and everyday practices (2024)The consequences of modernity (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)Global Shakespeares as Methodology (2013)Shakespeare on Film (2017)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Remade in Hollywood: the global Chinese presence in transnational cinemas62 cited
  • 2012Mobile intimacies in the queer Sinophone films of Cui Zi'en54 cited
  • 2012Shakespeare and World Cinema38 cited
  • 2012Aspects of Urbanization in China : Shanghai, Hong Kong, Guangzhou16 cited
  • 2015Sensing ‘performance anxiety’: Zhang Ziyi, Tang Wei, and female film stardom in the People’s Republic of China12 cited
  • 2012Aspects of Urbanization in China: Shanghai, Hong Kong, Guangzhou7 cited
  • 2012Discoloured vestiges of history: Black and white in the age of colour cinema7 cited
  • 2012Notes on four major paradigms in Chinese-language film studies7 cited
  • 2014The creative evolution and crystallisation of the ‘bastard line’: drifting from the Rive Gauche intoSuzhou River6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work