:Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten

Jane Campbell Hutchison

26 citations0/0 files storedSixteenth Century Journal

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Historical Art and Culture Studies Historical Art and Architecture Studies Visual Culture and Art Theory

Abstract

List of Illustrations Introduction 1: Career Paradigms and Critical Frameworks 2: The Making of a Dutch Painter-Poet 3: Self-Making and Self-Representation 4: Art as Self: Trompe l'Oeil 5: Self as Eye: The Perspective Box 6: The Academy of Painting and the Visible World Conclusion Notes Selected Bibliography Checklist of Paintings Index

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 26 citations exist upstream.

Cited by

2015Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-1660 2019The Early Royal Society and Visual Culture 2015Gerrit Dou’s Enchanting Trompe- l’Oeil : Virtuosity and Agency in Early Modern Collections 2013Accountability portrayed: documents on regents’ group portraits in the Dutch Golden Age 2003Verwondering over de schilderijenproductie in de Gouden Eeuw 2015The Engagement of Carel Fabritius’ Goldfinch of 1654 with the Dutch Window, a Significant Site of Neighborhood Social Exchange 2016“A counterfeit of what has to decay”: Vermeer and the Mapping of Absence in A Woman with a Lute

Imported from OpenAlex (CC0) — nothing here is generated.