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:Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten
0 references·7 citing·21 second hop
:Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten (1997):Artifice and Illusion: The Art and Writi…The Early Royal Society and Visual Culture (2019)The Early Royal Society and V…“A counterfeit of what has to decay”: Vermeer and the Mapping of Absence in A Woman with a Lute (2016)“A counterfeit of what has to…The Engagement of Carel Fabritius’ Goldfinch of 1654 with the Dutch Window, a Significant Site of Neighborhood Social Exchange (2015)The Engagement of Carel Fabri…Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-1660 (2015)Iluzja a realizm. Gra z widze…Gerrit Dou’s Enchanting Trompe- l’Oeil : Virtuosity and Agency in Early Modern Collections (2015)Gerrit Dou’s Enchanting Tromp…Accountability portrayed: documents on regents’ group portraits in the Dutch Golden Age (2013)Accountability portrayed: doc…Verwondering over de schilderijenproductie in de Gouden Eeuw (2003)Verwondering over de schilder…The Dutch Republic (1995):The Dutch Republic: Its Rise, Greatness, and Fall, 1477-1806 (1996)The familial state: ruling families and merchant capitalism in early modern Europe (2006)The Dutch comptoir as information centre (2018)Artists and Artisans in Delft: A Socio-Economic Study of the Seventeenth Century (1983)The Art of Describing. Dutch Art in the Seventeenth Century (1985)Art, Value, and Market Practices in the Netherlands in the Seventeenth Century (1994)Distinction: A Social Critique of the Judgement of Taste. (1985)Art and Agency: An Anthropological Theory (1999)Distinction: A Social Critique of the Judgement of Taste* (2018)The travels of Peter Mundy in Europe and Asia, 1608–1667 (1915)Neighbourhood and Community in Paris, 1740-1790 (1988)An entrance for the eyes: space and meaning in seventeenth-century Dutch art (2002)The Art of Describing. Dutch Art in the Seventeenth Century (1984)Trading Territories (1997)A history of the world in twelve maps (2014)Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)The history of the Royal Society of London for the improving of natural knowledge (2001)Oxford Dictionary of National Biography (2004)The Cambridge History of Science (2006)
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Cited by

  • 2015Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-166014 cited
  • 2019The Early Royal Society and Visual Culture8 cited
  • 2015Gerrit Dou’s Enchanting Trompe- l’Oeil : Virtuosity and Agency in Early Modern Collections4 cited
  • 2013Accountability portrayed: documents on regents’ group portraits in the Dutch Golden Age4 cited
  • 2003Verwondering over de schilderijenproductie in de Gouden Eeuw2 cited
  • 2015The Engagement of Carel Fabritius’ Goldfinch of 1654 with the Dutch Window, a Significant Site of Neighborhood Social Exchange2 cited
  • 2016“A counterfeit of what has to decay”: Vermeer and the Mapping of Absence in A Woman with a Lute1 cited

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