The funk era and beyond : new perspectives on black popular culture

Abstract

PART I: PRELUDE FROM THE FUNKMASTER Sly Stone and the Sanctified Church M. A. Neal PART II. INTRODUCTION Theorizing the Funk: An Introduction T. Bolden PART III. INSIDE THE FUNK SHOP: WRITINGS ON THE FUNK BAND ERA A Philosophy of Funk: The Politics and Pleasure of a Parliafunkadelicment Thang! A. Nathan Wright James Brown: Icon of Black Power Rickey Vincent 'The Land of Funk': Dayton, Ohio S. Brown From the Crib to the Coliseum: An Interview with Bootsy Collins T. Sayers Ellis PART IV. IMPRESSIONS: FUNKATIVITY AND VISUAL ART Cane Fields, Blues Text-ure: An Improvisational K. Ohnesorge Good Morning Blues M. Bryan Shine2.0: Aaron McGruder's Huey Freeman as Contemporary Folk Hero H. Rambsy II PART V. FUNKINTELECHY: (RE)COGNIZING BLACK WRITING Alabama A. Nielsen Jazz Aesthetics and the Revision of Myth in Leon Forrest's There Is a Tree More Ancient than Eden D. Williams Living the Funk: Lifestyle, Lyricism, and Lessons in C. Phelps Modern and Contemporary Art of Black Women Cultural Memory in Zora Neale Hurston's Mules and Men O. Krouse Dismukes PART VI. IMAGINE THAT: FONKY BLUES ROCKIN AND ROLLIN Funkin' with Bach: The Impact of Professor Longhair on Rock'n'Roll C. L. Keys Blue/Funk as Political Philosophy: The Poetry of Gil Scott-Heron T. Bolden

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