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Landing on the wrong note: jazz, dissonance, and critical practice
0 references·16 citing·58 second hopsampled
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  • 2004Landing on the Wrong Note: The Price We Paid for Brown287 cited
  • 2008Seeking serendipity: the paradox of control104 cited
  • 2002Negotiating Freedom: Values and Practices in Contemporary Improvised Music101 cited
  • 2012Sensemaking and sensegiving stories of jazz leadership95 cited
  • 2004Review - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue74 cited
  • 2020Big Ears: Listening for Gender in Jazz Studies72 cited
  • 2017Improvisation and Social Aesthetics60 cited
  • 2006Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event58 cited
  • 2009Big ears: listening for gender in jazz studies47 cited
  • 2010DJ Spooky and the Politics of Afro-Postmodernism22 cited
  • 2006Birth of the school: discursive methodologies in jazz education22 cited
  • 2004Modes and Manifestations of Improvisation in Urban Planning, Design, and Theory19 cited
  • 2022A Philosophy of Playing Drum Kit15 cited
  • 2015Jazz and the critical potential of heteronomous expressive form14 cited
  • 2008Be‐in‐tween the Spa[ ]ces: The Location of Women and Subversion in Jazz

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12 cited
  • 2013After the End of the World: Sun Ra and the Grammar of Utopia12 cited