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Cloth, dress and art patronage in Africa
0 references·16 citing·47 second hop
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Cited by

  • 2009[In]visible [in]tangibles: Visual portraits of the business élite147 cited
  • 2009Unexpected Luxury: Wild Silk Textile Production among the Yoruba of Nigeria30 cited
  • 2002People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon)28 cited
  • 2009Viewing Africa through Fashion22 cited
  • 2009Aso-Oke Production and Use among the Yoruba of Southwestern Nigeria17 cited
  • 2017Texts, talks and tailoring: Chimamanda Ngozi Adichie’s fashion politics16 cited
  • 2014Symbolic values of clothing and textiles art in traditional and contemporary Africa14 cited
  • 2013The Fabric of Friendship:Aso·Ebìand the Moral Economy of Amity in Nigeria12 cited
  • 2011Silk-embroidered garments as transformative processes: layering, inscribing and displaying Hausa material identities10 cited
  • 2010The Language of Dress among the Sub-Cultural Group of the Dzimbabwe People in Masvingo, Zimbabwe6 cited
  • 2013Wild Silk Textiles of the Dogon of Mali: The Production, Material Efficacy, and Cultural Significance of Sheen5 cited
  • 2014Hot and Haute: Alphadi's Fashion for Peace4 cited
  • 2011Material visions: dress and textiles4 cited
  • 2012OfMutualityandCopying: FashioningAso Ebithrough Fashion Magazines in Lagos

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3 cited
  • 2017The Clothes of Extraversion. Circulation, Consumption and Power in Equatorial Guinea3 cited
  • 2018The popularity of seshoeshoe dress for Basotho women2 cited