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The Art of Music Production: The Theory and Practice
0 references·12 citing·28 second hop
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Cited by

  • 2018Online group influence and digital product consumption28 cited
  • 2020Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era”18 cited
  • 2020Music Technology in Education – Channeling and Challenging Perspectives16 cited
  • 2019Music production in Swedish higher education : History and future challenges14 cited
  • 2020Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective12 cited
  • 2022Music education in the digital age: Challenges associated with sound homogenization in music aimed at adolescents11 cited
  • 2022Beats. Bauen. Lernen. - Manifestation, Konstitution und Entwicklung künstlerischer Handlungsfähigkeit beim Beatmaking6 cited
  • 2020Music Technology in Education5 cited
  • 2020Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education5 cited
  • 2022The Evolution of the Roles of Producers in the Zimbabwe Recording Industry5 cited
  • 2024‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age4 cited
  • 2024The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement3 cited

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