Pulping fictions : consuming culture across the literature/media divide.

Abstract

Imelda Whelehan and Deborah Cartmell (de Montfort University, Leicester) Introduction: Pulping Fictions: Consuming Culture Across the English/Media Divide John O. Thompson (University of Wales, Cardiff) 'Vanishing' Worlds: Film Adaptation and the Mystery of the Original Ken Gelder (de Montfort University, Leicester) The Vampire Writes Back: Anne Rice and the (Re)Turn of the Author in the Field of Cultural Production Nicola Shaughnessy (Worcester College of Higher Education) Is s/he or isn't s/he?: Screening Orlando Heidi Kaye (de Montfort University) Feminist Sympathies Versus Masculine Backlash: Kenneth Branagh's Mary Shelley's Frankenstein Deborah Cartmell (de Montfort University, Leicester) The Henry V Flashback: Kenneth Branagh's Shakespeare Jenny Rice and Carol Saunders (de Montfort University, Leicester) Consuming Middlemarch: the construction and consumption of nostalgia in Stamford Catherine Neale (Worcester College of Higher Education) Pleasure and Interpretation: Film Adaptations of Angela Carter's Fiction I.Q. Hunter (de Montfort University) Capitalism Most Triumphant: Bill & Ted's Excellent History Lesson Stephen Knight (University of Cardiff) Robin Hood: Men in Tights: fitting the Tradition Smugly Peter Brooker (Nene College) and Will Brooker (West Kent College, Tonbridge) Pulpmodernism: Tarantino's Affirmative Action Index

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