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The Farthest Place: The Music of John Luther Adams
8 references·2 citing·27 second hop
The Farthest Place: The Music of John Luther Adams (2012)The Farthest Place: The Music of John Lut…Whole World of Music (2013)Whole World of MusicThe Place Where You Go to Listen: In Search of an Ecology of Music (2009)The Place Where You Go to Lis…Where rivers and mountains sing: sound, music, and nomadism in Tuva and beyond (2006)Where rivers and mountains si…Winter music: composing the North (2005)Winter music: composing the N…Psychotic Reactions and Carburetor Dung (1987)Psychotic Reactions and Carbu…Rencontres avec Olivier Messiaen (1984)Rencontres avec Olivier Messi…The World As Will And Idea (1975)The World As Will And IdeaThe Transformation of Nature in Art (1934)The Transformation of Nature …Selling Nature to Save It: Approaching self-critical environmental sonic art (2018)Selling Nature to Save It: Ap…Sublime frequencies: The construction of sublime listening experiences in the sonification of scientific data (2013)Sublime frequencies: The cons…A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)The Audible Past (2003)Public Engagement as a Means of Restoring Public Trust in Science – Hitting the Notes, but Missing the Music? (2006)Keywords: A Vocabulary of Culture and Society (1977)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Perception of the Environment (2002)Introduction to the Science of Sociology (1922)On the Perception of Social Consensus (1998)Life Against Death: The Psychoanalytical Meaning of History (2012)Olivier Messiaen’s Analysis Seminar and the Development of Post–War Serial Music (2002)Messiaen the Borrower: Recomposing Debussy through the Deforming Prism (2016)Olivier Messiaen's Turangalîla-symphonie (2023)Looking Through a Glass Onion: Rock and Roll as a Modern Manifestation of Carnival (1993)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Kathy Acker (2020)Avant-garde and experimental music (1998)Embodied Experimentalism and Henry Cowell’s The Banshee (2010)The Origins of “Dissonant Counterpoint”: Henry Cowell's Unpublished Notebook (2011)Bharatanatyam Performed: A Typical Recital (2004)Choreography: a pattern language (2007)Triple Entendre: Furniture Music, Muzak, Muzak-Plus (2013)Introduction: Listening to American Studies (2011)On the Limitations of Music Ecology (2022)‘It’s a part of me and I’m a part of it’: ecological thinking in contemporary Scottish folk music (2020)Our Gods: Variation in Supernatural Minds (2010)Soundscapes: Toward a Sounded Anthropology (2010)Musicking Bodies: Gesture and Voice in Hindustani Music (2012)
this work references cited by second hop

References

  • 1975The World As Will And Idea319 cited
  • 1987Psychotic Reactions and Carburetor Dung153 cited
  • 2006Where rivers and mountains sing: sound, music, and nomadism in Tuva and beyond123 cited
  • 1934The Transformation of Nature in Art50 cited
  • 2009The Place Where You Go to Listen: In Search of an Ecology of Music37 cited
  • 1984Rencontres avec Olivier Messiaen30 cited
  • 2013Whole World of Music17 cited
  • 2005Winter music: composing the North11 cited

Cited by

  • 2013Sublime frequencies: The construction of sublime listening experiences in the sonification of scientific data76 cited
  • 2018Selling Nature to Save It: Approaching self-critical environmental sonic art4 cited

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